THE GLOBAL JAZZ NETWORK . COM

a worldwide movement @ the destination where great Jazz minds meet

kevin
Share 
  • Blog Posts
  • Discussions
  • Events
  • Groups
  • Photos
  • Photo Albums
  • Videos (1)

Kevin's Friends

Music

Loading…
 

kevin's Page

Gifts Received

Gift

kevin has not received any gifts yet

Give kevin a Gift

Profile Information

What is your profession?
Musician, producer, promoter
What Instrument Do you Play?
Alto Saxophone, percussionist
Where Are you located?
London
How did you find out about TGJN?
from friend
About Me:
Tell us a little about you....
Kevin Haynes Saxophonist,Percussionist from Trinidad decent based in London UK, After Finishing performing arts Colleges in London in the 80s, i started out performing as a percussionist for African dance companies and one very Important Afro Brazilian Dance company Oshumare, which helped shape things to come in my concepts as a percussionist and musician. I then started performing with other up and coming UK Black Jazz Artists of the 90s like the The Jazz Warriors, the first Black Big Band in the UK,which was based in London, this was my first experience in a Jazz big band i then started working with other bands which includes Saxophonist, Steve Williamson, Flutes,Phillip Bent band, Saxophonist, Courtney Pine band Jazz legend Sun Ra,Drummer Clifford Javis and his Prophets of Jazz out fit as well as other bands Jazz acts i was a sideman for in London jazz scene In the mid 90s and beyond i would spend Time in New York and Havana Cuba,studying Afro Cuban folkloric music or going to jam sessions in New York, around this period i started doing a few more alto saxophone gigs and when ever there was a chance a quartet gig In 1996/7 i setup my band and performed my first jazz show at the London Jazz cafe Camden town North London, under the band name Kevin Haynes Grupo Elegua. The name comes from the Nigerian Yoruba deity of the crossroads and the messenger of god. He's the Guardian of the Crossroads of Life. Whenever there are decisions to be made, he provides opportunities and second chances. If you're lucky, as a Trickster God, the childlike Elegua can sometimes make things even more complicated. At a whim he can turn a simple choice into a vast conundrum of paradox. I loved the idea of the messenger and that this deity controlled the roads and paths of life - which doors were opened and which were closed in ones destiny
I have been performing with this group for 9 years and have recorded three albums, one with Native muisc a French Lable based in Paris, and two for Egbe Oduniyi productions, my own label. I have been doing shows with different personnels and setups over the years around Europe African Cuba and US my music is a fuses of swing model, Afro Cuban and Nigerian Bata drumming styles with other West African forms from Mali, Senegal
Website:
http://kevinhaynes.ning.com/

Kevin Haynes grupo elegua new album Alo se po Out know

Greeting just click on the album cover this will take you to cdbaby.com where you can download mp3 or mailorder for the hard copy
many thanks
peace light
Kevin
KEVIN HAYNES: Ajo se po Unity

Comment Wall (4 comments)

You need to be a member of THE GLOBAL JAZZ NETWORK . COM to add comments!

Join this Ning Network

At 5:30am on October 27, 2008, Claudio Scolari said…
Hi there kevin's,
Really Great to hear from you!!!
Thanks for the add and for comment video....Landskap/A
Your playing is great!
All the best...C.S.
At 11:28pm on June 30, 2008, roznixonoutandabout.com said…
Hey Global Jazz Family,
I hope all is well and you're having a wonderful summer. When you have a moment please check out my new site, it''s a follow up site to my weekly news paper column "Out & About". Please let me know what you think or if you have any ideas for improvement.

Below please find site address

roznixonoutandabout.com

Thanks

Much love
Roz
At 4:29pm on May 27, 2008, kevin said…
Blessings Marly thank for the invite here sending more positive vibes to you
wishing all the best my friens
peace light
Kevin
At 9:54pm on May 4, 2008, Marly Ikeda said…
Hey Kevin!

Thank you for believe in our friendship and for your strong vibration connected with your sensitive personality to understand the crazy world.

And enjoy very much your contacts to show your music to all world to you share your energy with more and more people!

Kisses my dear friend,
May
 
 

The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.~~~~ ~~~~~~~~~~~~~~~~~~~~~Billy Taylor


Dear Tamm E:

Just a note to tell you that it is nice to read about you!!!

You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!

Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.

Just played for Paquito's honoring and received gold medal

John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music

and Roberta Gamborini, who was excellent.

wish you had been there!

Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.

As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!

And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).

As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).

The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"

Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!

The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.

And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!

This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.

Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.

The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!

The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.

Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..

Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .

Now i am back at home hiding out composing and writing!

I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.

And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.

And performing whenever possible with my three kids, each of whom have their own bands.

So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.

Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.

And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!

You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!

The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.

In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.

It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.

During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.

And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!

And playing it really well!

That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.

It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.

I send cheers from that endless road and wish you joy and energy for all you do

David

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie


Music

Loading…

Birthdays

Birthdays Today

Birthdays Tomorrow

Badge

Loading…

RSS

Waits Is Devilish In 'Imaginarium Of Dr. Parnassus'

Musician Tom Waits has a key role in the new film from director Terry Gilliam. Waits plays the devil incarnate in The Imaginarium of Dr. Parnassus. The movie also stars Christopher Plummer and the late Heath Ledger. Waits talks to Steve Inskeep about his role as Mr. Nick in the movie.

In The '60s, A Musicians' Loft In Flux

The arrival of a new decade heralded new styles of music, and new challenges, for the jazz artists who met up at 821 Sixth Ave. in New York. And for the struggling photographer who documented it all, it was also the end of an era.

R.E.M.'s Michael Stipe Remembers Vic Chesnutt

Singer-songwriter Vic Chesnutt died Friday at the age of 45. Chesnutt, based in Athens, Ga., lost the use of his legs after an auto accident in 1983. The aftermath and his ongoing bouts with depression helped transform Chesnutt into a dark, brooding writer. Michael Stipe, of the band R.E.M., produced Chesnutt's first two albums and remembers his friend.

Sheryl Crow Debuts All Over Again

Sheryl Crow crashed onto the music scene in 1993 with her debut CD, Tuesday Night Music Club. By the next summer it had gone viral, and in 1995 it won three Grammy awards. Now the album has been re-released as a deluxe edition, and Crow looks back on her career with host Scott Simon.

Rosanne Cash Runs Down Her Father's 'List'

When Cash was 18, her father (you know him as Johnny) gave her a list of 100 essential country songs to help the budding singer-songwriter understand the music that came before her. After holding on to it for decades, Rosanne Cash has turned that gift into an album. This interview first aired on Oct. 5, 2009.
 

© 2009   Created by THE GLOBAL JAZZ NETWORK on Ning.   Create a Ning Network!

Badges  |  Report an Issue  |  Privacy  |  Terms of Service

Sign in to chat!