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ed cherry
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- new york,new york
- United States
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Profile Information
- What is your profession?
- Musician, Composer, Educator
- What Instrument Do you Play?
- guitar
- Where Are you located?
- new york,n.y.
- How did you find out about TGJN?
- friend
- About Me:
- "An expressive instrumentalist, Cherry has a hip, melodic approach that is a refreshing contrast to guitarists who frequently resort to playing "finger music," the execution of rapid streams of notes that serve no musical purpose other than to fill space"-jim ferguson:jazztimes-02'****Born in New Haven,Conn.,After moving to New York in 78',Ed Cherry played guitar with Dizzy Gillespie from 1978 to 1992, performing in Gillespie's quartet, big band and with The United Nation Orchestra, which recorded the Grammy Award-winning Live at Royal Festival Hall (Enja). Gillespie died in 1993, and Cherry released his first recording as a leader, 'First Take' (Groovin' High) that same year as well as performing w/Paquito D'Riveras' small group and recording "Havana Cafe"(Chesky Records).Ed also worked with composer/saxophonist Henry Threadgill for two years(recorded 3 cd's w/ Henry's 'Very Very Circus' group. In 1995, Cherry released his second project as a solo artist, entitled A Second Look (Groovin' High).During that same period Ed worked with Hammond organist John Patton recording 3 critically acclaimed cd's with Patton's quartet-'Blue Planet Man','Minor Swing' and 'This ones for Jah'(DIW). From 1997 to 1998, Cherry worked in Roy Hargrove's “Crisol” Latin jazz band, which performed Havana, Cuba.During this same period,he also worked w/baritone saxist Hamiett Bluiett,recording Bluiett's cd 'with eyes wide open' on justin-time records.In 2001, Cherry toured Europe for the first time with his own group. He also released his latest CD, The Spirit Speaks on the Canadian Justin Time label, inspired by the great jazz organist Jimmy Smith with whom he had also recently worked.Ed was asked to perform at the 'Vodaphone Madarao Jazz festival'in 2002 in Madarao Japan with his quartet featuring trumpeter Jon Faddis. In 2003 Ed performed with his quartet at Detroit Jazz Festival.Right now,Ed is a member of vocalist Paula West quartet as well as leading his own trio. In addition to his stellar work as a sideman and as a critically acclaimed leader, Ed Cherry also has impressive credentials as a music educator. He taught guitar at Essex Community College in Newark, NJ from 1995 to 1996, and at the Henry Street Settlement in New York City from 1996 to 1997. He was also a faculty member at Montclair State University, School of Fine and Performing Arts for J.O.Y. (Jazz Opportunity for Youth).Ed is currently on staff at 'jazzmobile' here NYC. Selected discography: ed cherry-first take/ ed cherry-a second look/ ed cherry-the spirits speak/ yoron israel and organic-basic traneing/ hamiett bluiett-with eyes wide open/ tribute to grant green-w/mark whitfield-peter bernstein-russell malone-dave stryker-grant green jr./ mark weinstein-three deuces/ paquito d'rivera-havana cafe/ dizzy gillespie-live in montreaux-1980/ dizzy gillespie-live at royal festival hall/ dizzy gillespie-live at blues alley/ jon faddis-hornucopia/ henry threadgill-makin' a move/ henry threadgill-song out of my trees/ john patton-minor swing/ john patton-blue planet man/ john patton-this one's for jah/ mario rivera-el comandante/ rueben wilson-new york funkies/ andy mckee-next/ c.i.williams-when alto was king/ jay collins-poem for you today/claudio roditi-jazz turns samba Find:"Ed Cherry-The Spirits Speak" @ Amazon.com
- Website:
- http://myspace.com/edcherrygroup
About
The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.~~~~ ~~~~~~~~~~~~~~~~~~~~~Billy Taylor
Dear Tamm E:
Just a note to tell you that it is nice to read about you!!!
You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!
Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.
Just played for Paquito's honoring and received gold medal
John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music
and Roberta Gamborini, who was excellent.
wish you had been there!
Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.
As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!
And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).
As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).
The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"
Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!
The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.
And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!
This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.
Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.
The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!
The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.
Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..
Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .
Now i am back at home hiding out composing and writing!
I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.
And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.
And performing whenever possible with my three kids, each of whom have their own bands.
So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.
Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.
And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!
You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!
The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.
In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.
It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.
During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.
And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!
And playing it really well!
That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.
It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.
I send cheers from that endless road and wish you joy and energy for all you do
David
I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.
I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!
You just knocked it out of the park. Thanks again.
xoxo,
Janie
Music
Events
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Mel Brown Quartet
March 25, 2009 at 8pm to March 27, 2013 at 11pm – Jimmy Mak's
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New CD release
December 14, 2009 at 1pm to January 1, 2010 at 1pm – My Website
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Saturday JAZZ Nights at Chelsea Wine Bar
December 19, 2009 at 8:30pm to December 20, 2009 at 12:30am – Chelsea Wine Bar
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THE LADIES SOCIAL CLUB-New Year's Eve Party!
December 31, 2009 at 7:30pm to January 1, 2010 at 1:30am – Clarion Hotel
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BACK ALLEY PLAYERS@NUYORICAN POETS CAFE
January 2, 2010 from 9pm to 11pm – NUYORICAN POETS CAFE
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BACK ALLEY PLAYERS@NUYORICAN POETS CAFE
January 2, 2010 from 9pm to 11pm – NUYORICAN POETS CAFE
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Tish Oney - The Peggy Lee Project
January 8, 2010 from 9:45pm to 11pm – The Metropolitan Room
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Tish Oney
January 9, 2010 from 7:15pm to 7:30pm – Hilton Hotel - New York Suite
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Tish Oney - The Peggy Lee Project
January 9, 2010 from 10pm to 10:15pm – Hilton Hotel - Beekman Suite
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Tish Oney - The Peggy Lee Project
January 10, 2010 from 7pm to 8:15pm – The Triad
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A Traditional Jazz Christmas, An Unlikely Source
The jazz composer Carla Bley doesn't celebrate Christmas, and left the church behind as a teenager. But you wouldn't know it from her new album, which sets her favorite Christmas carols — traditional and original — to her edgy writing style.Christmas Means Music For Boys Choir
For members of the National Cathedral Boy Choristers in Washington, D.C., Christmas is not about angling for video games or iPods, but parsing each note in Handel's Messiah, performing before thousands of people — and wondering when their voices will change.Monteverdi's Pioneering 'Vespers'
Monteverdi stood on the divide between two great musical periods, the Renaissance and the Baroque. His Vespers illustrates a mastery at blending the new with the old in a way that's coherent, expressive and moving, especially in John Eliot Gardiner's atmospheric recording made in Venice.Infected Mushroom: 'Psy-Trance' From Israel
Infected Mushroom resides at the forefront of an emerging musical genre called psy-trance — complex electronic music with the sophistication of rock or jazz. The group expanded from a voice-and-keyboard duo to a quintet in an effort to make electronic dance music more interesting.Visqueen: From Cancer, A Rock 'N' Roll Triumph
Rachel Flotard is the frontwoman for the Seattle-based band Visqueen. The band has a new album out called Message to Garcia. Flotard talks to Ari Shapiro about the new recording. She wrote many of the songs while caring for her father, who died earlier this year from prostate cancer.© 2009 Created by THE GLOBAL JAZZ NETWORK on Ning. Create a Ning Network!
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Thanks for providing the tips for New York...it was actually a short trip this time so I didn't get to see the kind of jazz I really wanted due to where I was and time constraints. But I will be spending lots of time in NY in the future so I appreciate your resources. Hope all is well and keep on jammin'!
Janie
I heard you in a live session with Gillespie in 80's in Nice.
You have a great sound and playing.
Thank you very much for the add. I enjoyed reading your outstanding bio and look forward to exploring your music. It is great to become friends with you here on TGJN and all the best to you.
Bonne continuation,
Janie
Thanks for joining the movement at the destination where great jazz minds meet.
Have fun! and connect! and reconnect! And yes! Please tell all of your Jazz lovin', Jazz playin' friends and protege's.
Building A Global
Bridge for Jazz
Tamm E Hunt
publisher/founder
TGJN
Mark
Thanks for joining the Global Jazz Network!
Check out my rhythm world!
Be blessed,
Luiz