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His father was a Beatle, but Dhani Harrison wanted a musical project that didn't carry the burden of his family name. So he started a band called thenewno2, where he's created a sound and a promotional strategy that is all his own.
On Nov. 14, Hafez Nazeri will headline at Carnegie Hall. The young Iranian musician has been attracting attention for "Sounds of Peace," an East-meets-West program inspired by a progressive political vision. Or is it?
The Baltimore Symphony conductor chooses a season of music built on the belief that understanding where we come from, and celebrating diversity, can create a sense of continuity, history and belonging — not to mention some great concerts.
Since Weezer's debut in 1994, the band has released six more albums, gone through a re-organization, and earned a devoted following. Their new album is called
Raditude. Last year, Rivers Cuomo, Weezer's lead singer, guitarist and principal songwriter, released two solo CDs of songs that didn't make it onto the band's albums.
Thurston Moore is a musician who, aside from being in the legendary band Sonic Youth, has collaborated with everyone from Glenn Branca to Lydia Lunch to Mike Watt. For Moore, Internet culture doesn't mean replacing music experience so much as reconfiguring it.
At the end of the '90s, I got excited when I realized that young girls no longer needed to hang out with creepy record-collector guys in order to find out about cool music. Information was out there for everyone to access equally via the Internet. Knowledge about obscure records could no longer be hoarded and used as power.
The late Alan Lomax brings the sound of Haiti to life. Recordings that Lomax made decades ago are now being released as a 10- disc box set, along with a journal and other artifacts from his trip to Haiti. Host Michel Martin speaks with Gage Averill, an ethnomusicologist and a professor of at the University of Toronto. Averill was the project's curator and is joined by Ellen Harold, Alan Lomax's niece who also worked on the project.
Some people know Bruno Johnson as the proprietor of the well-respected out-jazz record label Okka Disk. Others know him as the owner of the Palm Tavern and the Sugar Maple in Milwaukee, Wis. Talk about your jazz bars.
The concerto was the English composer's last major work for orchestra, as well as his most confessional. In this recording, cellist Jacqueline Du Pre gives one of her finest performances, exposing both gentleness in the pain and an edge to the tenderness.
With the release of the 2005's
The Acrobat, 2007's
With My Left Hand I Raise the Dead and an album in which he covers the soundtrack to the '80s movie
Footloose, Thomas Bartlett established Doveman as a true sleeper. His third album of original material with Doveman,
The Conformist, is a testament to his soft-spoken style. This time around, though, he adds flourishes of upbeat synths, drums and catchy choruses.
In 'What's in a Song,' our occasional series from the Western Folklife Center, we learn of one man's quest to channel the music of the Aztecs and Mayans through new compositions that combine inspiration with scholarly research.
As a backup singer, Angela Workman was one of
Weekend Edition host Liane Hansen's first music interviews. For Hansen's 20th anniversary show, Workman spoke about the legacy of Ray Charles, and what she's been up to since.
For the former Police frontman, the winter months are a time for imagination and reflection. His new album,
If on a Winter's Night, takes traditional songs from his native British Isles as its starting point. Here, he performs one of them and speaks with Scott Simon.
With the help of legendary Nashville session musicians and a little paternal assistance from Paul Simon, Harper Simon has just released his solo debut. But don't be fooled by his pedigree: The younger musician has his own sound.
A longtime scrappy alternative to the plush Metropolitan Opera, City Opera struggles to make a comeback with a new general manager, a renovated theater and a shorter but smarter season of operas.
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I am so honored that you took the time from your busy schedule to respond as you did. For convenience I have posted the other 3 excerpts of the "Metaphysics" interview on my page that you can see when you have a minute.
I believe we are kindred spirits though you are an older, wiser, more experienced one of such from whom I could learn much. I was a personal student of Chief Fela Sowande in the 70s. He served on my dissertation committee as well and we presented together at several national and regional conferences during that time.
I know Congressman Conyers and I am grateful to him for coming to my assistance in June with the full force of his offices to help me retrieve Freddie Redd's passport from the State Department so he could perform in Paris between July 22-26, 2008. Freddie turned 80 in May and he has been living in relative obscurity for quite a few years. We became friends in 2002 initially over the phone and then we met in person a few months later when I was performing at the First Annual Global African Music Festival at UC Santa Cruz in April 2002 with Karlton Hester and Donald Byrd. I have written lyrics to 8 of his tunes so far, the first one being "The Thespian" before we ever met. His performances in Paris were outstanding and I'll be posting reviews on his page on this network (which I maintain for him) very soon. He calls me every day to keep in touch with the cyber world. Do you know him?
I had the opportunity to meet Machito in 1979 when he came through Pittsburgh and I was playing with Kenny Clarke (see my profile picture) standing between them). Billy Eckstine was also a close personal friend. He spent most of his last 2 years of life in Pittsburgh living with his niece.
I am so in tune with the spirit of your work and I wish I could have been there in Denver although I watched the Convention on TV. As a college student I spent the entire day at the "March on Washington" with Jesse Jackson and four other of my fraternity brothers.
I am glad you liked the poem for Johnny Griffin. The tune that inspired it and to which it was written (Little John) is posted on my audio playlist on this network. If you like, I'd like to send you my book of 88 original bop lyrics for your enjoyment. Altogether I have written 124 original lyrics so far to bebop standards. I was featured soloist with the Pittsburgh Connection Big Band (organized and led by David W. Sanford) at the 2007 IAJE Convention in NYC where I debuted my trombetto and also sang my lyric to Dizzy Atmosphere.
You are cut from the same cloth as Duke Ellington and Billy Strayhorn with your prolific output and the hours you keep. Of course when the Muse finds a favorite, rest is just a slightly slower rhythm of creativity. :-))
I am very close personal friends with Ahmad Jamal and David Baker if you run into either of them. Joe Harris also a close friend who is alive and in great physical shape at almost 82 here in Pittsburgh. I'll make sure you see him if you come through Pittsburgh. He presented a concert in April with a quartet that featured Sean Jones on trumpet and Roger Humphries, who was in the audience, almost fell out of his seat in amazement.
Onward and upward in the service of music, light and love! Darkness is simply the absence of light.
Bird lives,
Nelson
thank you for the fine information you have let me now about. i wish it could be broadcast on network tv and AM radio!!
te music, (and your poem about Johnny Griffen and all your writings) are really fine and a breath of fresh air as well as blow for mental health!!
i hope to get vack to Pittsburgh again an look forward to meeting you (a playing with you) when i do.
I'm back from a week in Denver, hiding out again at the farm working around the clock on my new piano concerto for its upcoming premiere. My series of concerts for the Democratic National Convention took place August 22-28, where I was designated as the composer-in-residence. It was a real honor to have been a small part of the historic week in Denver.
My opening concert at the convention Sunday, August 24th was called...................
"Outside of Convention- From Fanny Lou Hamer to Martin Luther King to Barack Obama: How the Civil Rights Movement changed American politics"
This gala event, (free to the public in Denver as well as to the delegates and their families) was sponsored by Nation Magazine, the Democratic National Convention, the Denver Public Library and PBS, (both the English and Spanish speaking stations) who taped my opening concert as well as other events, including the August 24th program at Convention Center, which took place at the Convention Center the night before the opening of the convention. Over a thousand people came, and it couldn't have been any better!!
My musical contributions included my Three Songs for America, settings of speeches by John F. Kennedy, Martin Luther King and Robert Kennedy for bass voice and orchestra, written 40 years ago for PBS. The singer, operatic bass Steven Taylor was really exceptional. It was the best performance that the piece has ever received.
For the second piece on the program, I conducted the Colorado Children's Chorale (a killer 100 voice prize winning choir) in three pieces for children's chorus for which I composed both the words and the music, dedicated to three great musicians I have played with over the years. They are Native American master musician and actor Floyd Red Crow Westerman, jazz innovator Thelonious Monk and ambassador of Afro-Cuban music, band leader Machito. I conducted the chorus, accompanied by my Denver-based trio.
We also performed the premiere of a new piece "You are somebody Too" for which I composed both the words and music, based on the "I am somebody" statement of Rev. Jesse Jackson in a version which I conducted with the children's choir, based in part on the use of phrases by the people of Denver who were interviewed on the street by sociologist Dr Audrey Sprenger, for a film she created for the convention as well as for the Denver Public Library, documenting their statements ("I am a cabdriver, i am a student, i am a Bronco's fan, I am a future doctor, i am a proud father....etc)
All of these statements were sung and chanted, with audience participation, as a call and response, accompanied by my jazz trio, with special guest Jose Madera, leader of the Latin Giants of Jazz.
Congressman John Conyers was honored for his work in civil rights, interviewed in a discussion with John Nichols, editor of Nation Magazine, about the progress over the past sixty years of everyone's civil rights in America. Congressman Conyers is also a lifetime supporter of jazz as a national treasure (as well as his being someone who truly appreciates the symphonic masterpieces of European culture and how they relate to jazz as music which endures)
We ended the evening with my "Theme and Variations on Amazing Grace" which I performed on my Irish double D penny whistle, followed by the grand finale with my trio playing Now's the Time by Charlie Parker, honoring the early civil rights slogan "Our moment is Now," with audience participation.
I performed at a series of concerts for radio station KUVO in Denver with some outstanding musicians which was simultaneously broadcast by WWOZ in New Orleans, and at one of the late night jam sessions afterwards played with Hugh Masekela, whom I hadn't seen in forty years.
I also appeard at Red Rocks (a gorgeous amphitheater which holds 14,000 people). i was a guest artist with the bands of Jerry Jeff Walker and Willie Nelson, Earlier that day I presented a program for teachers and students at the Denver Academy, showing how the principles of musical construction in countries around the world could be used to teach geography, linguistics, social studies, history and developmental skills in all disciplines, and how a no more walls approach towards music (and life) helps us all in adapting to a global culture.
And between all the hectic activities, I worked in my motel room on my piano concerto. Composing into the wee hours every night kept me from getting into trouble!!!
I am now in relative hibernation, except for playing with Willie Nelson and his band for Farm Aid September 20, a few local engagements, and going to Iceland to perform for the world premiere of the film for which I composed and conducted the score "The Frontier Ghandi," created by Teri McCluhan, (Marshall McCluhan's daughter). The film will then be screened at the Lincoln Center in NY.
Other than this, I have a stretch of five weeks to work around the clock on my piano concerto, which will be premiered January of '09 in San Jose California.
I wish you extra energy in all you do, as well as joy and inspiration.
Best cheers always.
THEY CAN'T STOMP US OUT!!! Creative music and those who make it are here to stay!!!
David
P.S.
Here is a copy of the opening program for the Democratic National Convention. I wish you could have been there, it was standing room only and a real thrill to do. Eventually it will be on PBS and You Tube
--------------------------------------------------------------------------------------------------------------
The National Democratic Convention, Nation Magazine, Rocky Mountain PBS and the Denver Public Library present
FROM FANNY LOU HAMER TO BARACK OBAMA
A CELEBRATION IN WORDS AND MUSIC OF CIVIL RIGHTS In AMERICA
Representative John Conyers
Composer/conductor/multi-instrumenallst David Amram
Nation Magazine Editor John Nichols
The Colorado Children's Chorale
August 24th
Convention Center
Denver Colorado
5-7 pm
FREE ADMISSION
l. Three Songs For America for Baritone and Orchestra......................................David Amram
(Composed for National Educational Television 1968)
a. John F. Kennedy
b. Dr. Martin Luther King
c. Robert F. Kennedy
Steven Taylor vocalist
ll. Three songs for Young People. (1996) .........................................David Amram
a. Rabbit Song For Floyd Red Crow Westerman (based on traditional Lakota round dance melody Mastinchila Wachipi Olwan)
b. Summer Song For Thelonious Monk
c. Son Montuno For Machito
The Colorado Children's Chorale, Deborah DeSantis Artistic Director
Conducted by the composer with the Amram jazz trio.
interview with Representative John Conyers and John Nichols
Music Honoring Jesse Jackson's Legacy
Variations on Amazing Grace- (2002) .................Amram (based on Traditional Spiritual)
David Amram Irish double D whistle
I am Somebody for chorus and jazz ensemble (2008).............Amram
(Based on Jesse Jackson's words and statements recorded by people from Denver. Composed for the Democratic National Convention 2008 )
Now's the Time (1945)---------------------Charlie Parker
Honoring the civil rights motto "The time is Now," The music by Parker and his colleagues, who were at the vanguard of the civil rights movement.
The David Amram Trio
Tony Black drums
Artie Moore bass
David Amram piano, French horn, flutes, percussion and scat vocals
Special guest Jose Madera, leader of the Latin Giants of Jazz, congas and Latin percussion
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