THE GLOBAL JAZZ NETWORK

a worldwide movement @the destination where great Jazz minds meet

Mariann Aalda
  • Female
Share 
  • Blog Posts
  • Discussions
  • Events
  • Groups (1)
  • Photos
  • Photo Albums
  • Videos (1)

Mariann Aalda's Friends

Mariann Aalda's Groups

 

Mariann Aalda's Page

Comment Wall (4 comments)

You need to be a member of THE GLOBAL JAZZ NETWORK to add comments!

Join this social network

At 3:20pm on March 8, 2008, g.calvin weston said…
I LIKE YOUR VIDEO THANK GOD FOR TWO VERY FUNNY BUT REAL WOMAN,AND YES YOU TWO ARE HOT,HOT,HOT,,,OK,KOOL.THANKS,
At 7:45am on March 3, 2008, Miles said…
Mariann,
Come join us at www.ilovejazz.ning.com
At 5:24pm on February 24, 2008, THE GLOBAL JAZZ NETWORK said…
Welcome Mariann to th emovement @ TGJN
Tamm E Hunt
At 7:07pm on February 23, 2008, Mariann Aalda said…
Check out my TV Demo Reel on YouTube! http://www.youtube.com/watch?v=aHmvr2v7z2I

Profile Information

What is your profession?
Single
About Me:
The evolution of Mariann Aalda’s “Little Woman Gone Wild” stand-up character – a recently divorced, happy-but-horny ex-homemaker attempting to map out a new path to love, romance and great (hopefully) sex, through the hazardous terrain of midlife dating – began in 2003 with the creation of her one-woman show and comedy CD, Black Don’t Crack…But Don’t Try and Spread It Too Thin! She then perfected the character as a founding member of the LA-based trio, 3 Blacque Chix, in the comedy cabaret, Herotique-Aahh; and later, in the “sexistential” musical-comedy, MOIST! with Iona Morris. The Los Angeles Times hailed Aalda’s portrayal as “…a perkily libidinous Mary Tyler Moore,” while LA Weekly proclaimed her “…a hammily hilarious Donna Reed.”
Having trained in legitimate theater at Southern Illinois University, the prestigious Negro Ensemble Company, Joe Papp’s Public Theatre and Woody King’s New Federal Theatre where she made her stage debut with the legendary Ossie Davis & Ruby Dee in Take It from the Top, Aalda honed her comedic skills as a writer and performer with the NYC sketch troupe, Off-Center Theatre, which also launched the comedy career of John Leguizamo, and touring with the improv group, The Proposition, where Jane Curtin got her pre-Saturday Night Live start.
The bulk of Aalda’s career, however, is on television: four years as “DiDi Bannister” on the ABC soap opera, Edge of Night; three seasons as “Ellen Parker” on the HBO, series First & 10, opposite O.J. Simpson; co-starring with Redd Foxx and Della Reese as “Elizabeth Royal-Winston” in the CBS sitcom, The Royal Family; two years as “the tragically disfigured ‘Lena Hart’” on the NBC soap opera Sunset Beach; co-hosting Designs for Living on USA, and guest-starring on shows too numerous to mention. Most notoriously, though, she is recognized, for her recurring roles as “Lita Ford,” opposite Meshach Taylor (with whom she also teamed as the clueless “Julie Pinderhughes” in the urban-comedy cult-film, Class Act [“Meshach Taylor and Mariann Aalda provide the film’s funnier episodes” - Janet Maslin, NY Times] ) as his buppie-from-hell girlfriend on CBS’ Designing Women – and for going toe-to-toe with Mo’Nique as her nemesis, “Hannah Foster,” on The Parkers.
On the radio, she was a frequent guest on the LA drive-time morning show with Adai Lamar for the Stevie Wonder-owned station, KJLH. Online, she was a columnist for the urban e-zine, BlackberrySpeak.com for two years, writing a humor-infused “ethnic etiquette” advice column with writer-producer, Karen Greyson. The collection of columns is currently being retooled into a book, When Not to Call a Spade a Spade: The New Rules of Ethnic Etiquette. Additionally, Aalda’s comedy clips as “Lady M” are all over the internet, including websites in many non-English-speaking countries.
When she turned “The Big Five-Oh, no!” Aalda was hit with the big “midlife tri-fecta” – divorce and an empty nest; the death of her dad and ailing health of her mother, and the downsizing of her “aging” television career. Subsequently, after twenty years in Los Angeles, she decided in the summer of 2007, to move back to New York, “where it all began” for her as a young actress just starting out…and to begin, again – this time as a seasoned performer just hitting her stride.
Website:
http://www.mariannaalda.com
 
 

About

Member Quotes About TGJN

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie

Badge

Loading…

RSS

A Rock Royal Finds Himself In The Digital Age

His father was a Beatle, but Dhani Harrison wanted a musical project that didn't carry the burden of his family name. So he started a band called thenewno2, where he's created a sound and a promotional strategy that is all his own.

Hafez Nazeri: From Iran, Music Beyond Politics

On Nov. 14, Hafez Nazeri will headline at Carnegie Hall. The young Iranian musician has been attracting attention for "Sounds of Peace," an East-meets-West program inspired by a progressive political vision. Or is it?

Marin Alsop's Shared Musical Roots

The Baltimore Symphony conductor chooses a season of music built on the belief that understanding where we come from, and celebrating diversity, can create a sense of continuity, history and belonging — not to mention some great concerts.

Between Albums, Rivers Cuomo Digs Up Solo Work

Since Weezer's debut in 1994, the band has released six more albums, gone through a re-organization, and earned a devoted following. Their new album is called Raditude. Last year, Rivers Cuomo, Weezer's lead singer, guitarist and principal songwriter, released two solo CDs of songs that didn't make it onto the band's albums.

Interview: Thurston Moore Of Sonic Youth

Thurston Moore is a musician who, aside from being in the legendary band Sonic Youth, has collaborated with everyone from Glenn Branca to Lydia Lunch to Mike Watt. For Moore, Internet culture doesn't mean replacing music experience so much as reconfiguring it.

Swagger Like Us: Thoughts on Women in Music, 2000-09

At the end of the '90s, I got excited when I realized that young girls no longer needed to hang out with creepy record-collector guys in order to find out about cool music. Information was out there for everyone to access equally via the Internet. Knowledge about obscure records could no longer be hoarded and used as power.

Music Of Late Musician Explores Haitian Culture

The late Alan Lomax brings the sound of Haiti to life. Recordings that Lomax made decades ago are now being released as a 10- disc box set, along with a journal and other artifacts from his trip to Haiti. Host Michel Martin speaks with Gage Averill, an ethnomusicologist and a professor of at the University of Toronto. Averill was the project's curator and is joined by Ellen Harold, Alan Lomax's niece who also worked on the project.

A Life Of Craft Beer And Free Jazz

Some people know Bruno Johnson as the proprietor of the well-respected out-jazz record label Okka Disk. Others know him as the owner of the Palm Tavern and the Sugar Maple in Milwaukee, Wis. Talk about your jazz bars.

Quiet Anguish In Elgar's Cello Concerto

The concerto was the English composer's last major work for orchestra, as well as his most confessional. In this recording, cellist Jacqueline Du Pre gives one of her finest performances, exposing both gentleness in the pain and an edge to the tenderness.

Doveman: Soft-Spoken But Upbeat

With the release of the 2005's The Acrobat, 2007's With My Left Hand I Raise the Dead and an album in which he covers the soundtrack to the '80s movie Footloose, Thomas Bartlett established Doveman as a true sleeper. His third album of original material with Doveman, The Conformist, is a testament to his soft-spoken style. This time around, though, he adds flourishes of upbeat synths, drums and catchy choruses.

New Music From Long-Dead People

In 'What's in a Song,' our occasional series from the Western Folklife Center, we learn of one man's quest to channel the music of the Aztecs and Mayans through new compositions that combine inspiration with scholarly research.

A Raelette On Ray Charles

As a backup singer, Angela Workman was one of Weekend Edition host Liane Hansen's first music interviews. For Hansen's 20th anniversary show, Workman spoke about the legacy of Ray Charles, and what she's been up to since.

Music For Sting's Favorite Season

For the former Police frontman, the winter months are a time for imagination and reflection. His new album, If on a Winter's Night, takes traditional songs from his native British Isles as its starting point. Here, he performs one of them and speaks with Scott Simon.

Out Of Paul Simon's Shadow, A Son Rises

With the help of legendary Nashville session musicians and a little paternal assistance from Paul Simon, Harper Simon has just released his solo debut. But don't be fooled by his pedigree: The younger musician has his own sound.

New York City Opera Rises From Turmoil

A longtime scrappy alternative to the plush Metropolitan Opera, City Opera struggles to make a comeback with a new general manager, a renovated theater and a shorter but smarter season of operas.
 

© 2009   Created by THE GLOBAL JAZZ NETWORK on Ning.   Create Your Own Social Network

Badges  |  Report an Issue  |  Privacy  |  Terms of Service

Sign in to chat!