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a worldwide movement @the destination where great Jazz minds meet

Manuela Lopes
  • 46, Female
  • Faro
  • Portugal
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What is your profession?
Singer, Composer
What Instrument Do you Play?
Vocalist/guitarist
Where Are you located?
Portugal
How did you find out about TGJN?
Internet
About Me:
MANUELA LOPES PROJECTS:
"MANUELA LOPES QUINTET" - original songs by Manuela Lopes, with influences of Latin music, worldmusic and Fado, (traditional Portuguese music). The band features vocals, piano and synthesizers, Portuguese guitar, bass and double bass, accordion, percussion and drums.
"THE BILLIE HOLIDAY TRIBUTE", featuring Manuela Lopes Sextet, vocals, piano, bass, guitar, clarinet and sax, drums.
ABOUT MANUELA LOPES
Manuela Lopes vocalist/guitarist/composer/arranger was born in Mozambique, Africa, in 1963. She lives in Algarve, Portugal since 1975. In 1979 she signed a two year record deal with former Bonnie Tyler and Status Quo's producers, making several recordings in the pop area. In 1982 she was guest singer on a television program on National TV, that promoted young Portuguese artists. In 1983 she begin to stand out as a jazz singer, performing in several jazz clubs in the Algarve. In 1985 she was invited to take part of the first International Jazz Venue in Vale do Lobo, Algarve, opening for British saxophonist Ronnie Scott. Just out of curiosity, famous movie star, Audrey Hepburn and pop star George Michael attended to the concert.
In 1986 she starts to be engaged in more serious composition and write several tunes, some of which are included in her CD, "PAISAGENS" recorded in 1998. In the same year in Algarve, she met famous German conductor James Last and Rick Partiff, guitarist from the rock band "Status Quo". From 1987 until 1991 she performed with musicians working in diverse areas jazz, latin, Pop, R&B, Rock, Funk. In 1992 she was invited to open the student festival (Semana Académica da Universidade do Algarve), organized every year by University students, an event that attracts thousands of party goers, popular DJ's and musician's from in and out of the country. The concert featured the most famous portuguese jazz singer Maria João. In 1993 she went to Lisbon, capital of Portugal, and took part in a choir in a theatrical play, by a famous Portuguese producer. In the same year she won the a prize in a singers contest in Portuguese TV, and made her debut in the most famous jazz club, the "Hot Club of Lisbon". In 1994 she was for several times invited as a guest singer in National TV, RTP 1. In 1995 she was invited to be the lead singer of the first Big Band in the Algarve directed by a known Portuguese maestro and double bass player, Zé Eduardo, performing in the several International Jazz Festivals in Portugal. In 1997 she once again performed in Hot Club de Lisboa and Speakeasy. In that same year she was a guest singer in a radio program. produced by Zé Duarte, a famous Portuguese Jazz critic. In 1998, she recorded her CD "Paisagens", with 7 tracks, 4 jazz standards and 3 of her own compositions and went to London to promote it. In London she participate in a singers contest at Ronnie's Scott's Club.
In 2004 she sang in the first part of All Jarreau's concert in Algarve. In 2008 she attended a workshop by USA jazz singer J.D.Walter. Her style has gained her many good reviews on local and national newspapers in Portugal. Recently she has sang in the Jazz in Winter, in Algarve, along side with famous saxophonist David Murray.
Website:
http://www.myspace.com/manuelalopes

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Comment Wall (2 comments)

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At 4:51pm on June 1, 2009, SACRI DELFINO said…
MUCHAS GRACIAS,MANU!!!!!ESPERO VERTE EN PORTUGAL ALGÚN DÍA.UN BESO GRANDE.

SACRI
At 8:01am on May 18, 2009, THE GLOBAL JAZZ NETWORK said…
Greetings!

Welcome! to the WorldWide movement @ the destination where great Jazz minds meet. Please invite your entire Jazz world and theirs to join the TGJN FAMILY for their listening, visual and connecting pleasure.

Please let your Jazz folks know that they can promote their music, visual art, books and more at The Global Jazz Network where you can upload MP3s, video, photos, and we got widgets up the kazoo!

Have Fun! and connect as a TGJN Ambassador and member. All you have to do is keep the buzz going by sending links at Twitter, FaceBook, Myspace, The Jazz Network and all the other Jazz Networks on NING and any where that Jazz is Live! & Alive! send it out to your address book or tell a jazz lovin' friend to tell a Jazz lovin', playin' friend(s) every Jazz chance you get.

And one last thing! Broadcasters, journalist and promoters please mention us on the air and in your columns.

Thanking every one in advance!

Expanding the Global Jazz Vision...

Many In Mind & Body
ONE in JAZZ

Tamm E Hunt
artistic director/founder
TGJN
 
 

The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.~~~~ ~~~~~~~~~~~~~~~~~~~~~Billy Taylor


Dear Tamm E:

Just a note to tell you that it is nice to read about you!!!

You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!

Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.

Just played for Paquito's honoring and received gold medal

John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music

and Roberta Gamborini, who was excellent.

wish you had been there!

Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.

As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!

And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).

As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).

The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"

Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!

The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.

And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!

This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.

Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.

The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!

The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.

Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..

Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .

Now i am back at home hiding out composing and writing!

I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.

And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.

And performing whenever possible with my three kids, each of whom have their own bands.

So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.

Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.

And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!

You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!

The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.

In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.

It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.

During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.

And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!

And playing it really well!

That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.

It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.

I send cheers from that endless road and wish you joy and energy for all you do

David

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie

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