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Larry A. Smith
  • Male
  • Nashville, TN
  • United States
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What is your profession?
Musician, Songwriter, Singer, Producer, Composer, Other Jazz professional, Educator, Other
What Instrument Do you Play?
Drum set/Percussion, Guitar, Keyboards
Where Are you located?
Nashville, Tennessee
How did you find out about TGJN?
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About Me:
LARRY A. SMITH has been a percussionist for over 40 years, performing
professionally for over 30 years and teaching for over 25 years.
He attended school in Wickliffe, Ohio where he was President of the Band,
Percussion Section Leader and his senior year received the John Phillips Sousa Award as the Outstanding Band Member. He also received thirteen I ratings in Solo, Ensemble, Choral and Band Competitions.
Mr. Smith worked on his B.M. in Education and Percussion Performance degree from Kent State University. While there, he performed with the Marching Band, the Wind Symphony, the Brass Choir, the Orchestra and the Percussion Ensemble. He played percussion and drum set for many musicals staged by the Kent State Theatre Dept. and was a member of the Akron-Canton Symphony Orchestra under the direction of Louis Lane.
While in Cleveland, Ohio, Larry owned the Larry Smith Studios, a diversified recording facility which was used to write, produce and record jingles for many industries and to record CD’s for various artists.
Mr. Smith has worked with many artists throughout his career, such as the Ink Spots, the Four Aces, Ben Vareen, America, Lou Rawls, the Platters, Don Mclean, Johnny Carroll, Tony Orlando, Jerry Vale, Mary Wilson, Roger Williams, Christopher Cross – and the list goes on!
As a composer, Mr. Smith has written music for Pop, Christian and Country artists, original scores for industrial training/sales DVDs and trade shows, jingles and parodies for various sports teams and songs for children’s musicals and exercise programs. He has composed solos and multiple percussion pieces for various percussion instruments, as well as writing and arranging scores for and rehearsing and directing percussion sections of various High School Marching Bands and Middle
School Percussion Ensembles.
Previously, Mr. Smith was an Adjunct Professor and the Director of Percussion Studies at Lakeland Community College in Kirtland, Ohio. He was the owner of and a percussion instructor at The Percussion Institute of Cleveland, where he taught percussion lessons to over 40 students per week. Mr. Smith was also the Director of the Lakeland Jazz Orchestra and the co-director of the Annual Lakeland Jazz Festival. He performed with Tony Fortunato’s “Emperors of Swing” Big Band and the Lakeland Civic Band, directed by Charles Frank, as well as with the Cleveland Pops Orchestra.
Currently, Larry performs with his ensembles: The Larry Smith Express, The LS Jazz Express and Larry Smith’s Lighter Side. As a freelance percussionist, he performs with many organizations playing all aspects of percussion: drum set, mallets, timpani, and auxiliary percussion. He is also an accomplished studio musician.
Mr. Smith is a member of the American Society of Composers, Authors and Publishers (ASCAP), The Cleveland Federation if Musicians – Local 4, The Ohio Music Educators Association (OMEA) and Kappa Kappa Psi. He resides in Nashville, Tennessee with his wife, Beth.
Website:
http://www.myspace.com/larrysmithdrums

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Comment Wall (6 comments)

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At 8:25pm on December 10, 2008, THE GLOBAL JAZZ NETWORK said…
Thanks! Larry
All the best in the coming New Year 2009

TamM E
At 4:36pm on November 14, 2008, Ken Rodd said…
About the Burger King thing, I couldn't sign in without a website, which I don't have, so I just plunked in the first one I could think of. Hope everything is going well. I have officially dropped out of the Erie Heights Brass Ensemble, so looking for another ensemble to play in closer to Perry and without so many concerts to commit to (41 last year!) I was hoping to catch a video or two of you playing, all I saw was one of your LCJO solos with me standing behind you. Great solo! Stay in touch.
At 11:56am on November 8, 2008, rick said…
Cool....are you working? you're too good not to.....i hope you break into the scene there.....
At 7:16pm on November 7, 2008, Tyronn Hamilton said…
Thanks man.....I decided to go with a full LP so it is taking a little longer than I planned but I will keep you posted.
At 9:58pm on November 6, 2008, Marly Ikeda said…
Thank you for so nice comment my friend!
Send all my best wishes to you.
Kisses and hugs,
May
At 12:47am on September 5, 2008, THE GLOBAL JAZZ NETWORK said…
Hello Larry, Welcome! to TGJN
We are happy to have you join our family of great Jazz minds and appreciators. Please contribute in the ways you can and by all means tell all of your Jazz lovin' and playin' friends to join our 24/7 365 JAM as we are a destination for those who want to connect and discuss this magical idiom called Jazz.

Expanding the
Global Jazz Vision
Tamm E Hunt
founder/publisher
TGJN Delete Comment
 
 

The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.~~~~ ~~~~~~~~~~~~~~~~~~~~~Billy Taylor


Dear Tamm E:

Just a note to tell you that it is nice to read about you!!!

You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!

Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.

Just played for Paquito's honoring and received gold medal

John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music

and Roberta Gamborini, who was excellent.

wish you had been there!

Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.

As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!

And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).

As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).

The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"

Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!

The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.

And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!

This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.

Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.

The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!

The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.

Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..

Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .

Now i am back at home hiding out composing and writing!

I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.

And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.

And performing whenever possible with my three kids, each of whom have their own bands.

So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.

Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.

And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!

You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!

The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.

In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.

It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.

During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.

And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!

And playing it really well!

That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.

It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.

I send cheers from that endless road and wish you joy and energy for all you do

David

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie


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