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Joan Belgrave
  • Female
  • Grosse Pointe, MI
  • United States
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What is your profession?
Songwriter, Singer, Producer, Manager
What Instrument Do you Play?
Vocalist
Where Are you located?
Detroit, MI
How did you find out about TGJN?
Referral
About Me:
Vocalist, producer, songwriter, Joan, began her musical career like so many others, singing in the choir of the Baptist church. Her musical education continued while studying classical voice. Her versatility as a musical stylist allowed her to perform as a vocalist in various genres of music from Jazz, Blues, and Gospel to Soul. Joan arrived in Los Angeles From Michigan in the late 70’’s performing primarily as a lead vocalist. With a powerful voice and her own jazzy/blues style, her solo CD “Variations” showcases all of this and more. Her CD “You Don’t Know Me”- Marcus Belgrave’s tribute to New Orleans, Ray Charles and the Great Ladies of Song , is a hit collaboration with Jazz Masters Marcus Belgrave & New Orleans Saxophonist, Charlie Gabriel, with new arrangements that will keep you wanting more!! Joan is a touring Lead Vocalist with Marcus Belgrave’s Louis Armstrong, & Ray Charles Tribute Jazz Ensembles. As well as Lead Vocalist w/ 4th generation New Orleans born Charlie Gabriel’s Traditional Jazz Ensemble
Dazzling Audiences with performances at Detroit’s, Legendary Baker’s Keyboard Lounge, & Cliff Bells, Sold out performance at Detroit’s Player’s Playhouse Theatre!~!!... Chicago’s Andy’s Jazz Club, The Toronto Jazz Festival, Detroit Jazz Festival, Huntsville, Ontario Jazz Festival, Kerrytown Concert House, with Tony Monaco, Lansing MI, with Wes Anderson, Rodney Whittaker, Randy Gelispie, & Marcus Belgrave, Touring with Curtis Fuller & Marcus Belgrave.
-Whether she is performing with a traditional big band, or a small ensemble of skilled musicians, listen closely and find yourself transported on a musical journey from the 30’s to the present, including sweet love songs, sorrowful blues, and swinging beats.
“Mama this gal’s got soul from head to toe”… Leonard Turnevicius, The Hamilton, Ontario Spectator – Ray Charles tribute ensemble with Marcus Belgrave & Curtis Fuller- 2005 Canadian tour
“Passion and lure.. a sense of intimate and everlasting charm”…Pete Fallico, KUSP radio, Santa Cruz, CA - KCSM radio, San Mateo, CA “Elegant… graceful bent notes and perfect pronunciation” – Linda Yohn, WEMU Ypsilanti, MI
“Joan Bow is a real treat, and together with Marcus Belgrave, this is an act that is a must see and hear.. a great voice, well trained, her voice is deep, smooth and polished…a class act and a beautiful talent - Paul Youngman – jazzreview.com – Toronto
“a class act…gospel, jazz, blues and neo soul… Joan is the evolution of the blues” – Afrikahn Jahmal Dayvs, KKUP San Jose, CA
Website:
http://www.joanbowbelgrave.com

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Joan Belgrave

Excitable is Here!! - Click on link below to hear

http://www.joanbowbelgrave.com/

Song I penned for Marcus...& Title of CD

Posted on May 29, 2009 at 3:30pm —

Comment Wall (8 comments)

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At 8:21am on May 19, 2009, kit ehrgood said…
True...True...So Very True.With A future generation of "Pay It Forword" mentality....the world could change?I know I am.
kit
At 7:40pm on May 18, 2009, kit ehrgood said…
Thanks Joan! I'll have some jazz music of the kids up on a website soon as well as some of mine.It's always nice to be seen.You have made my day!
At 2:52pm on May 13, 2009, George V Johnson Jr. said…
I emailed a mp3 of David Fathead Newman's signature song Hard Times, original lyrics. I recorded it live at Blues Alley in DC about 8 years ago. A nice song to sing if you like. I have many lyrics. Feedback, GVJ
At 12:01am on May 13, 2009, derrick schippers said…
That is great , I am so happy for you. Maybe you can also come to SA as part of your trip.
At 5:16am on May 12, 2009, George V Johnson Jr. said…
Good hearing from you. My schedule is wide open
At 10:12pm on May 11, 2009, George V Johnson Jr. said…
Hey Joan, how it going? Give my regards to Marcus. would be nice if he could hook up something where I could come to Detroit

Peace, G
At 3:26pm on April 30, 2009, kit ehrgood said…
I love your voice! Thank you for inspiring the day.
At 1:09am on March 30, 2009, derrick schippers said…
Have a great day Joan. Hope to work with you in the future. Regards. D
 
 

The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.~~~~ ~~~~~~~~~~~~~~~~~~~~~Billy Taylor


Dear Tamm E:

Just a note to tell you that it is nice to read about you!!!

You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!

Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.

Just played for Paquito's honoring and received gold medal

John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music

and Roberta Gamborini, who was excellent.

wish you had been there!

Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.

As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!

And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).

As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).

The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"

Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!

The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.

And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!

This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.

Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.

The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!

The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.

Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..

Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .

Now i am back at home hiding out composing and writing!

I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.

And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.

And performing whenever possible with my three kids, each of whom have their own bands.

So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.

Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.

And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!

You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!

The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.

In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.

It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.

During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.

And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!

And playing it really well!

That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.

It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.

I send cheers from that endless road and wish you joy and energy for all you do

David

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie

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