THE GLOBAL JAZZ NETWORK

a worldwide movement @the destination where great Jazz minds meet

Irene Atman
  • Female
  • Toronto and New York
  • Canada
Share 

Irene Atman's Friends

Music

Loading…
 

Irene Atman's Page

Gifts Received

Gift

Irene Atman has not received any gifts yet

Give Irene Atman a Gift

Irene Atman's Photos

Loading…

Irene Atman's Blog

Irene Atman

Irene Atman Live at Feinstein's, this Sunday, October 25th, one show only!



I'm very excited about this Sunday's performance at Feinstein's, New York where I'll be performing songs from my new CD, "New York Rendezvous" with jazz greats Frank Kimbrough, Jay Anderson, George Schuller and Joel Frahm.

Posted on October 19, 2009 at 11:14am —

Canadian Jazz Vocalist Irene Atman releases new CD titled "New York Rendezvous"

“Atman has that irresistible intonation ringing in her timbres which jazz vocalists have. She has a storybook perfect pitch able to touch the listener’s soul, understand the sorrows that burrow in their hearts, stroke their sensibilities with tender caresses and lick their wounds.”
- Susan Frances, JazzReview

"It is not often that a vocalist can stamp a song her own, but I can’t express enough how good Atman is at this. She knows how to swing, she knows how to sing ." - Christopher Lams, Jazz Improv NY

"Atman is clearly one of the finest singers around, gifted with a voice that allows her to reach high notes with ease, revealing a cool and enticing style that tenderizes the lyrics with a touch of class" - Edward Blanco, All about Jazz

"Irene Atman is the epitome of New York style. She knows the meaning and the feeling of what she sings. Her rendition of “Why Did I Choose You” will bring the sweet passions of love to a simmer. This song will never be sung any better, never with any more understanding and feeling of the sentiment expressed. " - Bob Gish, Jazz Improv NY

"Atman sings "Why did I choose you" with a vocal dexterity equivalent to a flute that can speak words. It's often difficult to tell that she's taken a breath, as she seamlessly moves from one sustained note to the next phrase" - Woodrow Wilkins, All about Jazz

"Atman has perfected the malleable harmony line, her voice stretching and contracting effortlessly in all four dimensions, defying the quantum mechanics of sonics." - C. Michael Bailey, All About Jazz

ABOUT IRENE
It’s been quite a year for Canadian recording artist Irene Atman who recently relocated to New York City from her hometown of Toronto to record her latest CD titled “New York Rendezvous”. Irene follows her highly acclaimed self-titled debut of 2007 with this latest release, backed by the finest jazz musicians on the New York scene today - Frank Kimbrough on piano, Jay Anderson on bass, Matt Wilson on drums and Joel Frahm on saxophone.

The disc’s title “New York Rendezvous” is just that – the reunion of Irene Atman and Frank Kimbrough after a couple of dozen years along different musical roads. Now together in New York , with Frank acting as musical director and co-producer of the CD, Irene Atman is being hailed as “one of the finest singers around, gifted with a voice that allows her to reach high notes with ease, revealing a cool and enticing style that tenderizes the lyrics with a touch of class”. (All about Jazz)

In a recent interview with Jazz Review, Susan Frances says, “Atman has a voice that was divined to sing jazz just as assuredly as was Tony Bennett, Shirley Bassey, Vicki Carr, or any other vocalist born with the timeless elegance that Atman possesses. She enables audiences to feel the lyrics and become a part of the stories being told in the songs.”

Born in Toronto, Irene is also an accomplished pianist. Her love for classic jazz started early. “I always say, that my greatest inspiration came from my father’s fruit cellar,” she said. As a child, she brought up a box of old records from the basement and asked her father to play them for her. “Ella Fitzgerald, Billie Holiday, Frank Sinatra, Tony Bennett, Doris Day. All of the greats”, she recalled. “I just loved them”.

At 19, while studying history at the University of Toronto, Atman credits that time as the official start of her professional career. During those years in Toronto, Irene sang with the Stan Hiltz Orchestra, recorded with the Boss Brass, and performed with the legendary Tony Bennett. She has also performed with jazz luminaries Guido Basso, Dave Young, Terry Clarke and Peter Appleyard. Last year, Irene toured Australia and Japan where she performed at the Canadian embassy in Tokyo with Makoto Ozone and Holly Cole for a Tribute to Oscar Peterson.

Upcoming performances in ’09 will see Irene performing at New York’s finest supper club Feinstein’s at Loews Regency where she will be joined by jazz greats Frank Kimbrough on piano, Jay Anderson on bass and Joel Frahm on saxophoneIrene Atman, The Kitano – NYC, June 3rd, 2009

LIVE PERFORMANCE REVIEW - THE KITANO, NYC - Christopher Lams, Jazz Improv NY
With so many vocalists crowding the New York City jazz scene these days, it is difficult to attend a new comer’s event without feeling that you may be getting some more of the same ole recipe. Then there is vocalist Irene Atman, who to me, proved to be quite different. The Canadian born songstress has recently relocated to NYC from her native land to join the ranks and be heard. On a publicist’s invite and his strong words about Ms. Atman’s abilities I decided to take in her recent show at The Kitano.

If you are going to take NYC by storm you better have a top-notch quartet behind you and Atman had just that. The great Joel Frahm on saxophone, Matt Wilson on drums, Jay Anderson on bass, and her long time friend Frank Kimbrough on piano. One quality that I have seen in many vocal performances is the inability to work the stage as a professional. When you allow the audience to be attracted to your personality & presence, I can assure you they will enjoy your presentation of the material much more. Atman has that part down. I often felt like I was an old friend of hers, and she has taken me down memory lane with stories regarding her song selection and some very interesting facts about her friendship with Kimbrough. The friendship started on a cruise ship with him performing show tunes and her selling bingo cards. Stage-wise vocalist Irene Atman is a pro.

Atman’s set was made up of selections from her new independently released CD titled New York Rendezvous, which I might add is also fantastic. The set opened with “Two for the Road”, and from note one Atman was brilliant. She possesses incredible vocal technique and knows how to structure a set list. Atman paced the set and gave us great versions of “Taking a Chance on Love,” “Why Did I Choose You,” – all giving space and time to Kimbrough, Wilson and Anderson alike. Joel Frahm was at her side throughout the set and never failed to blow a phenomenal solo. The evening moved on with “Time after Time”, & “I’m a Fool to Want you” which again allowed Atman to sing a song as it should be sung. It is not often that a vocalist can stamp a song her own, but I can’t express enough how good Atman is at this. She knows how to swing, she knows how to sing and she knows how to move in and out of a song form. The set turned the corner for home with a heart felt “Charade” into “My Foolish Heart” and closed with “The Glory of Love”.

With wonderful arrangements by Kimbrough, an all-star band backing her, and of course her own amazing performance, Irene Atman is a step above the others and should be heard. She is now in town, and should be on the area calendars a bit more, but if you can’t catch her at one of the local hot spots, then go to her website and check out her new CD which I found to be just as good as the show.

Profile Information

What is your profession?
Singer
What Instrument Do you Play?
Vocals
Where Are you located?
Toronto and New York
How did you find out about TGJN?
Ron Aprea
About Me:
"It is not often that a vocalist can stamp a song her own, but I can’t express enough how good Atman is at this. She knows how to swing, she knows how to sing ." - Christopher Lams, Jazz Improv NY

"Atman is clearly one of the finest singers around, gifted with a voice that allows her to reach high notes with ease, revealing a cool and enticing style that tenderizes the lyrics with a touch of class" - Edward Blanco, All about Jazz

"Irene Atman is the epitome of New York style. She knows the meaning and the feeling of what she sings. Her rendition of “Why Did I Choose You” will bring the sweet passions of love to a simmer. This song will never be sung any better, never with any more understanding and feeling of the sentiment expressed. " - Bob Gish, Jazz Improv NY

"Atman sings "Why did I choose you" with a vocal dexterity equivalent to a flute that can speak words. It's often difficult to tell that she's taken a breath, as she seamlessly moves from one sustained note to the next phrase" - Woodrow Wilkins, All about Jazz

"Atman has perfected the malleable harmony line, her voice stretching and contracting effortlessly in all four dimensions, defying the quantum mechanics of sonics." - C. Michael Bailey, All About Jazz
Website:
http://www.ireneatman.com

Comment Wall (5 comments)

You need to be a member of THE GLOBAL JAZZ NETWORK to add comments!

Join this Ning Network

At 9:56am on November 9, 2009, jay lewis said…
TIME AFTER TIME WAS SWING-N B BACK TO HEAR MORE THANKS ;))
At 9:54am on November 9, 2009, jay lewis said…

HI……I WANTED TO INVITE YOU TO JOIN THE GROUP "BOOKS & VIDEOS"…...... THE MISSION OF THE GROUP IS; TO, “EXPLORE THE COMPLEXITY OF JAZZ & BLUES; MUSICALLY,HISTORICALLY,SOCIALLY & THEORETICALLY. BROADENING BETTER UNDERSTANDING AND GREATER ENJOYMENT!!


Check out BOOKS & VIDEOS ABOUT JAZZ & BLUES on THE GLOBAL JAZZ NETWORK:
http://theglobaljazznetwork.ning.com/group/bookvideosaboutjazzblues?xgi=0rQihhb
jay
At 7:13am on October 29, 2009, RON APREA said…
Irene,

How was your gig at Feinsteins? Did George Schuller play that gig? Haven't seen George in years. Please say hello for me.

Regards,

Ron
At 2:59pm on August 10, 2009, Luiz Santos Music said…
Luiz%20Santos%20MusicQuantcast
Welcome
Peace and Enjoy The Ride!
Luiz
Luiz%20Santos%20MusicQuantcast
At 9:00pm on August 9, 2009, Joani Taylor said…
Cool, it's a pleasure.
Cheers,
Joani

http://www.joanitaylor.com
 
 

MEMBER NOTES


Dear Tamm E:

Just a note to tell you that it is nice to read about you!!!

You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!

Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.

Just played for Paquito's honoring and received gold medal

John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music

and Roberta Gamborini, who was excellent.

wish you had been there!

Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.

As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!

And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).

As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).

The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"

Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!

The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.

And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!

This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.

Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.

The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!

The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.

Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..

Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .

Now i am back at home hiding out composing and writing!

I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.

And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.

And performing whenever possible with my three kids, each of whom have their own bands.

So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.

Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.

And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!

You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!

The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.

In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.

It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.

During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.

And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!

And playing it really well!

That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.

It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.

I send cheers from that endless road and wish you joy and energy for all you do

David

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie

Badge

Loading…

RSS

Songs Of Survival And Reflection: 'At The Cut'

Vic Chesnutt was paralyzed from the waist down at the age of 18, but he's still a massively productive songwriter. Chesnutt has fifteen albums under his belt and his songs have been covered by Madonna, Smashing Pumpkins, and R.E.M. His new album, At The Cut, is a collaboration with Guy Picciotto of the band Fugazi.

Bartok's Best 'Concerto For Orchestra'

After all these years, conductor Fritz Reiner's 1955 recording of Bartok's music remains the best. He understood the poignant, brooding, mysterious and exuberant moods it explores, and the Chicago Symphony Orchestra plays as if it has been set on fire.

Barry White Box Set Reveals A Master At Work

Producer Jack Perry and White worked together until the singer's death in 2003. Perry recently compiled and produced a four-disc retrospective box set spanning White's career, titled Unlimited. NPR's Steve Inskeep recently spoke with Perry about the late soul singer.

Grammy-Nominated Native Singer Blends Tradition and Modernity

A blend of traditional elements and modern tunes has made Jana Mashonee one of the most famous contemporary Native American performers. She's won eight Native American Music Awards and a Grammy nomination. Now the singer and songwriter is out with a new album: New Moon Born. Jana Mashonee speaks about her music and her foundation Jana's Kids, which helps Native American youth with scholarships.

Remembering A Gospel Singer And Scholar

Horace Clarence Boyer had a profound impact on gospel music over the past 50 years. He was one half of the Boyer Brothers, but was best known as one of the first scholars to formally study African-American sacred music. Boyer died in July at age 74.

DJ Spooky: An Antarctic Expedition In Sound

DJ culture has always been fascinated with the concept of cool. But musician and artist Paul Miller — aka DJ Spooky — decided to get to the core of the phenomenon. His new multimedia project is structured around his sound recordings from the icy continent.

A Tour Of America's Belgrades

The name Belgrade still rings for many with memories of the recent civil war in Yugoslavia. But now a Serbian film crew is touring some small towns in the U.S. that share the name — gathering material for a documentary. So far, they've been to Belgrade, Minn., and Belgrade, Mont. Host Melissa Block caught up with the team as they drove toward Belgrade, Neb. She talks to the film's director, Miodrag Kolaric.

'Weird Al' Yankovic's Ode To The Trashmen

According to Yankovic, The Trashmen's legacy extends well beyond its status as the best surf band ever to come out of Minneapolis. With its 1964 hit "Surfin' Bird," the group distilled rock music to its essence.

A Jazz Pianist, Happy To Work For 'Peanuts'

His best-known work — the music to A Charlie Brown Christmas — is currently airing across the country once again. But as a new anthology attests, Vince Guaraldi wrote and performed a lot more music that deserves attention, too.

They Might Be Giants Sings About Science

In Here Comes Science, the band They Might Be Giants tackles the scientific process, plasma physics, the role of blood in the body and the importance of DNA, all in song. Band members John Linnell and John Flansburgh discuss the album and play some science tunes. Originally broadcast Sept. 25, 2009.

BlakRoc: The Black Keys Do Hip-Hop

The Black Keys are known for their stripped-down, blues-inspired music. But in a new project called BlakRoc, they are breaking into the world of hip-hop and collaborating with rappers like RZA and Pharoahe Monch.

A 'World Cafe' Special With Rosanne Cash

Promoting her new album, The List (based on a list of must-have country songs given to her by her late father Johnny), Rosanne Cash puts on a one-of-a-kind performance. She also proposes her own list, in a World Cafe Thanksgiving special that's not to be missed.

Loudon Wainwright Looks 'High' For Inspiration

Loudon Wainwright's new double album, High Wide and Handsome: The Charlie Poole Project, is a tribute to the old-time country banjo player who died in 1931. The singer-songwriter explains the motivations behind the project — and why Poole was such an influential country pioneer.

Cadenzas: Ladling The Gravy On Classical Music

Commentator Miles Hoffman talks turkey about the classical cadenza. Just as a flavorful gravy enhances any holiday turkey, cadenzas are tasty solos composers write to spice up their concertos.

Corb Lund: Boot-Kickin' Canadian Cowboy

Why Corb Lund's wry storytelling and driving tempos aren't better known outside of his native Canada is a mystery. His new album, Losin' Lately Gambler, could change all that, and bust some south-of-the-border stereotypes about Canadians in the process.
 

© 2009   Created by THE GLOBAL JAZZ NETWORK on Ning.   Create a Ning Network!

Badges  |  Report an Issue  |  Privacy  |  Terms of Service

Sign in to chat!