drums, world traditional percussions,all instruments and vocals..
Where Are you located?
Athens Greece
How did you find out about TGJN?
I was invited from a friend at plaxo pulse named TAMM HUNT
About Me:
CHAKRADAR Cosmic World Fusion
CHAKRADAR is a concept.
It actually means "wheel within a wheel" and it is a Hindu music term, but you can also see it in nature's cycles, like the cycle of the earth around the sun, including the cycle of the moon, including the cycle of the earth around its axle, including the cycle of the water, including the cycle of the plants, including the cycle of....LIFE.
CHAKRADAR goes on and on in the universe creating and dissolving relationships (frequencies or periods) between forms of energy. Sometimes I think that if we could feel and understand the music of that multirhythmic universe, like PYTHAGORAS did, then maybe this could lead us to another dimension of existence and conception of life itself. CHAKRADAR is an idiom of what we call God. CHAKRADAR is a way to go for me. CHAKRADAR is also a one man band considering my recordings.. My name is Alexandros Tsamis. All the work that you hear starting from lyrics, singing, composing, instrument playing, and mixing is made by me, except "THELO NA XOREPSO" where Giorgos Makris plays the gaida. For my live performances I use a group of session musicians I have selected through my 24 years of experience as a session musician in the Greek music scene. All the instruments that you hear to this recording are real (no midi, sampling or sequencing).
It is a combination of polyrhythmic conception over traditional music forms, from many places of this world but mostly Greece, India and Africa.
The sound is usually very earthy and tribal and varies from the extreme dynamics of a rock/fusion band to the gentle whisper of a voice and just one instrument but groove and polyrhythmics are always present.
An example of what is polyrhythmics, is my song THE PERFECT ROLLING CYCLE where you can hear the cowbell plays a bar of 5/4 while on the same bar, simultaneously, ballafon plays two different melodic lines. One of 7/4, and one of 9/4.
That is CHAKRADAR
Happy listening
Alexandros
Alexandros Tsamis
THISEOS 11 PERISTERI
ATHENS GREECE 12133 aleksandros@netone.gr
Mobile: 00306973047972
Phone1: 00302112211373
Phone2: 00302112211374
Phone3: 00302105762141
For more info and music please visit my page at: www.myspace.com/chakradar
Your page is awesome! You might want to consider changing the color of your fonts because the white is difficult to read.
Otherwise it is beautiful!!!!
Thank you for joining the movement @ TGJN.
We welcome you CHAKRADAR to our Global Jazz Family!
Please spread the word and invite all of your Jazz
loving friends and others to the destination where
great Jazz minds meet.
Many in mind and body.
ONE in JAZZ!
Tamm E Hunt
publisher/founder
TGJN
No comments yet!
BIOGRAPHY
Alexandros Tsamis was born in Athens Greece at 15/02/67. At his early age, was a strange kind of kid loving to play with the water very much, imagine strange stories and perform those with his toys and very curious about the way that thinks work all around him. Natural phenomena, radio transistors, gear and machinery like electric motors or internal combustion engines was something almost magical for his age and, also, another thing: music!!. At the first days of his life his mother had realized that all the crying and wining of the infant was immediately stopped when he hears music so she always use to have a small portable radio receiver near the infant to keep it calm and relaxed. Growing up he continued to sleep with the company of music until the age of fourteen where he started to learn drums and stopped to hear music before sleep, because now music was more stimulating than relaxing and he could not sleep. He developed a very good acoustic memory and was the family show for every visitor on the house because at the age of four he had memorized a book of poems and was able t o say the poem for each and every page you would have showed him like if he was really reading. Every body thought that this was phenomenal and suggested to his parents to really put him to work when he will go to school so he can be a much discriminated student but he did not wanted to be the family’s pride any more. Although he had the talent, he did not like school because no one had teached him the value and pleasure of learning and at the age of thirteen he had stopped his education for three years to earn some money and have what he ever wanted. A drum set. His first acquaintance with the rhythm was when he had collected some pocket money together with summer work money and bought his first drum set. His father did not approve him to be a musician and he kept this secret for two years. At the age of sixteen his father dies from heart attack and because he was the second oldest child in the family of four children (the first one was already married with a kid to take care) he decides to start working as a drummer in Greek folk music bars, clubs, restaurants, taverns and starts to make a living for his family and himself through his performances. He restarts his education in a more practical direction studying engineer and later aircraft engineer in a technical school and after that computer programming and analysis at a technical high school. He had passed the exams to college twice, one for ship engineer and designer and a second for electronics engineer but he did not participated because working late at night and studying early in the morning in a school are two things that no one could bare for a very long time. At the same time he creates many teenage groups and played a lot for fun and in school festivals. As a young student now he went to a drum teacher and learned reading writing and basic principals of technique, stick control, paradidles…
As a professional (session) musician for 24 years he has performed with some of the most famous singers in Greece like Tolis Voskopoulos, Dimitra Galani, Giorgos Dalaras, Eleytheria Arvanitaki, Kostas Makedonas, Natasha Theodoridoy, Melina Kana.... and composers-performers like Mimis Plessas, Giorgos Zikas, Takis Bourmas, Manolis Rasoulis, Xristos Tsiamoulis...
Simultaneously, he has created many bands with other musicians, like: “DER FALCHE BAUM” with Kostantinos B. and other distinctive musicians well known today.
“OCCASIONAL DREAM” The band won the contest and participated as representative of Greece to BIENALE 1999 for young artists, in Matatoyo, Rome, Italy and records their debut album label: MIKROS HROS, company: LYRA, copyright: 2001
“ETSI KI ALLIOS” Being together for four years, performing all over Greece and made an album with Seven co& pro.
As a session musician, participation to many records. Some: STEREO NOVA “DISCOLATA” FM RECORDS BATAYA “SPILIA” MASSIVE PRODUCTIONS DIMITRIS KORGIALAS “PETA PSYHI MOU” POLYDOR (a universal music company) GIORGOS DIMITRIADIS “AUTOS POU DEN XEREI” VIRGIN. ANTONIS APERGIS “IKAROS” FM RECORDS ELEUSIS “TALES OF THE HOLY” TRACK 7 .....
The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.~~~~ ~~~~~~~~~~~~~~~~~~~~~Billy Taylor
Dear Tamm E:
Just a note to tell you that it is nice to read about you!!!
You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!
Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.
Just played for Paquito's honoring and received gold medal
John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music
and Roberta Gamborini, who was excellent.
wish you had been there!
Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.
As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!
And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).
As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).
The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"
Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!
The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.
And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!
This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.
Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.
The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!
The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.
Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..
Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .
Now i am back at home hiding out composing and writing!
I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.
And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.
And performing whenever possible with my three kids, each of whom have their own bands.
So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.
Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.
And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!
You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!
The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.
In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.
It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.
During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.
And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!
And playing it really well!
That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.
It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.
I send cheers from that endless road and wish you joy and energy for all you do
David
Hi Tamm E!
I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.
I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!
You just knocked it out of the park. Thanks again.
Musician Tom Waits has a key role in the new film from director Terry Gilliam. Waits plays the devil incarnate in The Imaginarium of Dr. Parnassus. The movie also stars Christopher Plummer and the late Heath Ledger. Waits talks to Steve Inskeep about his role as Mr. Nick in the movie.
The arrival of a new decade heralded new styles of music, and new challenges, for the jazz artists who met up at 821 Sixth Ave. in New York. And for the struggling photographer who documented it all, it was also the end of an era.
Singer-songwriter Vic Chesnutt died Friday at the age of 45. Chesnutt, based in Athens, Ga., lost the use of his legs after an auto accident in 1983. The aftermath and his ongoing bouts with depression helped transform Chesnutt into a dark, brooding writer. Michael Stipe, of the band R.E.M., produced Chesnutt's first two albums and remembers his friend.
Sheryl Crow crashed onto the music scene in 1993 with her debut CD, Tuesday Night Music Club. By the next summer it had gone viral, and in 1995 it won three Grammy awards. Now the album has been re-released as a deluxe edition, and Crow looks back on her career with host Scott Simon.
When Cash was 18, her father (you know him as Johnny) gave her a list of 100 essential country songs to help the budding singer-songwriter understand the music that came before her. After holding on to it for decades, Rosanne Cash has turned that gift into an album. This interview first aired on Oct. 5, 2009.
Comment Wall (4 comments)
You need to be a member of THE GLOBAL JAZZ NETWORK . COM to add comments!
Join this Ning Network
a greeting.
Otherwise it is beautiful!!!!
We welcome you CHAKRADAR to our Global Jazz Family!
Please spread the word and invite all of your Jazz
loving friends and others to the destination where
great Jazz minds meet.
Many in mind and body.
ONE in JAZZ!
Tamm E Hunt
publisher/founder
TGJN