drums, world traditional percussions,all instruments and vocals..
Where Are you located?
Athens Greece
How did you find out about TGJN?
I was invited from a friend at plaxo pulse named TAMM HUNT
About Me:
CHAKRADAR Cosmic World Fusion
CHAKRADAR is a concept.
It actually means "wheel within a wheel" and it is a Hindu music term, but you can also see it in nature's cycles, like the cycle of the earth around the sun, including the cycle of the moon, including the cycle of the earth around its axle, including the cycle of the water, including the cycle of the plants, including the cycle of....LIFE.
CHAKRADAR goes on and on in the universe creating and dissolving relationships (frequencies or periods) between forms of energy. Sometimes I think that if we could feel and understand the music of that multirhythmic universe, like PYTHAGORAS did, then maybe this could lead us to another dimension of existence and conception of life itself. CHAKRADAR is an idiom of what we call God. CHAKRADAR is a way to go for me. CHAKRADAR is also a one man band considering my recordings.. My name is Alexandros Tsamis. All the work that you hear starting from lyrics, singing, composing, instrument playing, and mixing is made by me, except "THELO NA XOREPSO" where Giorgos Makris plays the gaida. For my live performances I use a group of session musicians I have selected through my 24 years of experience as a session musician in the Greek music scene. All the instruments that you hear to this recording are real (no midi, sampling or sequencing).
It is a combination of polyrhythmic conception over traditional music forms, from many places of this world but mostly Greece, India and Africa.
The sound is usually very earthy and tribal and varies from the extreme dynamics of a rock/fusion band to the gentle whisper of a voice and just one instrument but groove and polyrhythmics are always present.
An example of what is polyrhythmics, is my song THE PERFECT ROLLING CYCLE where you can hear the cowbell plays a bar of 5/4 while on the same bar, simultaneously, ballafon plays two different melodic lines. One of 7/4, and one of 9/4.
That is CHAKRADAR
Happy listening
Alexandros
YOU CAN DOWNLOAD MY MUSIC AT: www.audigist.com/chakradar
Alexandros Tsamis
THISEOS 11 PERISTERI
ATHENS GREECE 12133 aleksandros@netone.gr
Mobile: 00306973047972
Phone1: 00302112211373
Phone2: 00302112211374
Phone3: 00302105762141
For more info and music please visit my page at: www.myspace.com/chakradar
Your page is awesome! You might want to consider changing the color of your fonts because the white is difficult to read.
Otherwise it is beautiful!!!!
Thank you for joining the movement @ TGJN.
We welcome you CHAKRADAR to our Global Jazz Family!
Please spread the word and invite all of your Jazz
loving friends and others to the destination where
great Jazz minds meet.
Many in mind and body.
ONE in JAZZ!
Tamm E Hunt
publisher/founder
TGJN
No comments yet!
BIOGRAPHY
Alexandros Tsamis was born in Athens Greece at 15/02/67. At his early age, was a strange kind of kid loving to play with the water very much, imagine strange stories and perform those with his toys and very curious about the way that thinks work all around him. Natural phenomena, radio transistors, gear and machinery like electric motors or internal combustion engines was something almost magical for his age and, also, another thing: music!!. At the first days of his life his mother had realized that all the crying and wining of the infant was immediately stopped when he hears music so she always use to have a small portable radio receiver near the infant to keep it calm and relaxed. Growing up he continued to sleep with the company of music until the age of fourteen where he started to learn drums and stopped to hear music before sleep, because now music was more stimulating than relaxing and he could not sleep. He developed a very good acoustic memory and was the family show for every visitor on the house because at the age of four he had memorized a book of poems and was able t o say the poem for each and every page you would have showed him like if he was really reading. Every body thought that this was phenomenal and suggested to his parents to really put him to work when he will go to school so he can be a much discriminated student but he did not wanted to be the family’s pride any more. Although he had the talent, he did not like school because no one had teached him the value and pleasure of learning and at the age of thirteen he had stopped his education for three years to earn some money and have what he ever wanted. A drum set. His first acquaintance with the rhythm was when he had collected some pocket money together with summer work money and bought his first drum set. His father did not approve him to be a musician and he kept this secret for two years. At the age of sixteen his father dies from heart attack and because he was the second oldest child in the family of four children (the first one was already married with a kid to take care) he decides to start working as a drummer in Greek folk music bars, clubs, restaurants, taverns and starts to make a living for his family and himself through his performances. He restarts his education in a more practical direction studying engineer and later aircraft engineer in a technical school and after that computer programming and analysis at a technical high school. He had passed the exams to college twice, one for ship engineer and designer and a second for electronics engineer but he did not participated because working late at night and studying early in the morning in a school are two things that no one could bare for a very long time. At the same time he creates many teenage groups and played a lot for fun and in school festivals. As a young student now he went to a drum teacher and learned reading writing and basic principals of technique, stick control, paradidles…
As a professional (session) musician for 24 years he has performed with some of the most famous singers in Greece like Tolis Voskopoulos, Dimitra Galani, Giorgos Dalaras, Eleytheria Arvanitaki, Kostas Makedonas, Natasha Theodoridoy, Melina Kana.... and composers-performers like Mimis Plessas, Giorgos Zikas, Takis Bourmas, Manolis Rasoulis, Xristos Tsiamoulis...
Simultaneously, he has created many bands with other musicians, like: “DER FALCHE BAUM” with Kostantinos B. and other distinctive musicians well known today.
“OCCASIONAL DREAM” The band won the contest and participated as representative of Greece to BIENALE 1999 for young artists, in Matatoyo, Rome, Italy and records their debut album label: MIKROS HROS, company: LYRA, copyright: 2001
“ETSI KI ALLIOS” Being together for four years, performing all over Greece and made an album with Seven co& pro.
As a session musician, participation to many records. Some: STEREO NOVA “DISCOLATA” FM RECORDS BATAYA “SPILIA” MASSIVE PRODUCTIONS DIMITRIS KORGIALAS “PETA PSYHI MOU” POLYDOR (a universal music company) GIORGOS DIMITRIADIS “AUTOS POU DEN XEREI” VIRGIN. ANTONIS APERGIS “IKAROS” FM RECORDS ELEUSIS “TALES OF THE HOLY” TRACK 7 .....
I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.
I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!
You just knocked it out of the park. Thanks again.
His father was a Beatle, but Dhani Harrison wanted a musical project that didn't carry the burden of his family name. So he started a band called thenewno2, where he's created a sound and a promotional strategy that is all his own.
On Nov. 14, Hafez Nazeri will headline at Carnegie Hall. The young Iranian musician has been attracting attention for "Sounds of Peace," an East-meets-West program inspired by a progressive political vision. Or is it?
The Baltimore Symphony conductor chooses a season of music built on the belief that understanding where we come from, and celebrating diversity, can create a sense of continuity, history and belonging — not to mention some great concerts.
Since Weezer's debut in 1994, the band has released six more albums, gone through a re-organization, and earned a devoted following. Their new album is called Raditude. Last year, Rivers Cuomo, Weezer's lead singer, guitarist and principal songwriter, released two solo CDs of songs that didn't make it onto the band's albums.
Thurston Moore is a musician who, aside from being in the legendary band Sonic Youth, has collaborated with everyone from Glenn Branca to Lydia Lunch to Mike Watt. For Moore, Internet culture doesn't mean replacing music experience so much as reconfiguring it.
At the end of the '90s, I got excited when I realized that young girls no longer needed to hang out with creepy record-collector guys in order to find out about cool music. Information was out there for everyone to access equally via the Internet. Knowledge about obscure records could no longer be hoarded and used as power.
The late Alan Lomax brings the sound of Haiti to life. Recordings that Lomax made decades ago are now being released as a 10- disc box set, along with a journal and other artifacts from his trip to Haiti. Host Michel Martin speaks with Gage Averill, an ethnomusicologist and a professor of at the University of Toronto. Averill was the project's curator and is joined by Ellen Harold, Alan Lomax's niece who also worked on the project.
Some people know Bruno Johnson as the proprietor of the well-respected out-jazz record label Okka Disk. Others know him as the owner of the Palm Tavern and the Sugar Maple in Milwaukee, Wis. Talk about your jazz bars.
The concerto was the English composer's last major work for orchestra, as well as his most confessional. In this recording, cellist Jacqueline Du Pre gives one of her finest performances, exposing both gentleness in the pain and an edge to the tenderness.
With the release of the 2005's The Acrobat, 2007's With My Left Hand I Raise the Dead and an album in which he covers the soundtrack to the '80s movie Footloose, Thomas Bartlett established Doveman as a true sleeper. His third album of original material with Doveman, The Conformist, is a testament to his soft-spoken style. This time around, though, he adds flourishes of upbeat synths, drums and catchy choruses.
In 'What's in a Song,' our occasional series from the Western Folklife Center, we learn of one man's quest to channel the music of the Aztecs and Mayans through new compositions that combine inspiration with scholarly research.
As a backup singer, Angela Workman was one of Weekend Edition host Liane Hansen's first music interviews. For Hansen's 20th anniversary show, Workman spoke about the legacy of Ray Charles, and what she's been up to since.
For the former Police frontman, the winter months are a time for imagination and reflection. His new album, If on a Winter's Night, takes traditional songs from his native British Isles as its starting point. Here, he performs one of them and speaks with Scott Simon.
With the help of legendary Nashville session musicians and a little paternal assistance from Paul Simon, Harper Simon has just released his solo debut. But don't be fooled by his pedigree: The younger musician has his own sound.
A longtime scrappy alternative to the plush Metropolitan Opera, City Opera struggles to make a comeback with a new general manager, a renovated theater and a shorter but smarter season of operas.
Comment Wall (4 comments)
You need to be a member of THE GLOBAL JAZZ NETWORK to add comments!
Join this social network
a greeting.
Otherwise it is beautiful!!!!
We welcome you CHAKRADAR to our Global Jazz Family!
Please spread the word and invite all of your Jazz
loving friends and others to the destination where
great Jazz minds meet.
Many in mind and body.
ONE in JAZZ!
Tamm E Hunt
publisher/founder
TGJN