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Armen Boyajian
  • Male
  • Charlotte, NC
  • United States
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Profile Information

What is your profession?
Musician
What Instrument Do you Play?
piano, violin
Where Are you located?
Charlotte, NC
How did you find out about TGJN?
John Lamkin, II
About Me:
jazz violinist and pianist originally from Binghamton, NY. Have played with Gary Thomas, Ron Brendle, Elisa Pruett, Ed Howard, Frank Kimbrough, Steve Williams, George Colligan, Curtis Lundy and many other jazz players in Washington, Baltimore, NY, Augusta, GA and now, Charlotte, NC
Website:
http://www.airapparentjazz.com
Armen Boyajian formed Air Apparent in Washington, DC as his first jazz band in the 1970s. Members of that band included Frank Kimbrough (Maria Schneider, see www.frankkimbrough.com), Ed Howard (Roy Haynes, Joe Locke, Shirley Horn) and Steve Williams (Roy Hargrove, Shirley Horn). This powerhouse straight-ahead band with a critical difference -- Armen on violin -- played Blues Alley, Carter-Barron, Concerts-on-the-Canal, the Wharf and other DC-Baltimore venues.

Armen moved to New York in 1982 and Air Apparent included such musicians as Onaje Allan Gumbs, Stafford James, Curtis Lundy, and Tim Horner, among others. From 1986 on, Armen began to play out on the piano as well as violin, and from 1986-1989 played at the Hyatt Regency/Inner Harbor in Baltimore as the regular weekend band. Following are two reviews:

"Air Apparent has improved drastically in the past two years...a performance that was the next best thing to an evening at the old Hot Club of Paris." (Harry Sumrall, Washington Post)

"You might not expect a violinist to be playing such numbers as Giant Steps, but Mr. Boyajian does so lovingly and with considerable elan." (Tim Warren, Baltimore Sun)

Armen Boyajian's Photos

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Comment Wall (9 comments)

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At 2:22pm on October 12, 2009, martine lecomte said…
fritz série
Hello!!Love.M
At 10:19am on November 3, 2008, Armen Boyajian said…
very few photos of me playing in Baltimore. My quartet with Sheila Ford, Jim Hannah and Larry Kinling played at the Hyatt from 1986-88, and then I left to play at the ill-fated Fishmarket (with folks like Scott Peaker, Gary Thomas, Ed Howard, Larry Camp, and the late Vince Loving). Played at Ethel's Place with George Colligan and a few other folks back in the heyday of that place across from Meyerhoff Symphony Hall, and played with drummer Dennis Chambers and Geoff Harper back in the day -- but I left Baltimore in 1993....and don't have photos, but check www.airapparentjazz.com for some....
At 1:41pm on November 2, 2008, THE GLOBAL JAZZ NETWORK said…
Hello Armen
Thanks for joining TGJN
Exciting to know that you played with
all of these wonderful folks that I know
and some I have worked with.

I am authoring a book about Jazz in Baltimore
would love to know if you have photos of yourself
playing here in Baltimore.

Let me know.
tammehuntjazz@gmail.com

Keep On Swingin' and please let all of your Jazz lovin' friends and all others know about TGJN.

Tamm E Hunt
publisher/founder
TGJN

PS List your gigs @ EVENTS on the main page
At 6:12am on September 27, 2008, Armen Boyajian said…
Hey folks, two more gigs to list:

Armen Boyajian (piano)/Ron Brendle (bass) at Sullivan's Steakhouse, 1920 South Blvd., Charlotte, NC Wed October 15, 6:00-10:00 pm.

Air Apparent at Johnson C. Smith U Community Fair on Saturday October 25, 3:00 - 7:00 pm. See http://www.airapparentjazz.com for more details!
At 1:28pm on September 26, 2008, Armen Boyajian said…
Be glad to: unfortunately very few pictures, although I do have a VHS (if I can find it, so send me your snail mail address) of a quartet from the Maryland Wine Festival -- me on violin, Tim Murphy on piano, Geoff Harper on bass, and Steve Williams on drums -- probably dates back to around 1987. The thing I remember was the two Gary's -- Bartz and Thomas. In 1987 Gary Thomas' group won the right to open up for Miles Davis, and when Miles heard him, he hired him to succeed Bob Berg in his band! Gary Thomas is like Wayne Shorter on steroids! I also remember going to see Gary Bartz at Henry Baker's Jazz Closet in those days, with Bob Butta on piano, Harper on bass -- great group, Bartz is another legend. Back around that time, I played at the Hyatt with Sheila Ford, Jim Hannah on drums and Larry Kinling (the swingin postman) on bass...
At 12:15pm on September 26, 2008, TAMM E HUNT said…
Hey Armen.
Kool! I them all. The musicians.
Check it out. I am in the middle of writing a book called JAZZ BALTIMORE
The Unsung Mecca. WOuld love it if you could contribute some photos and even do an oral history about your Jazz Baltimore experience.
Let me know and we can make it happen.

Thanks for the compliment. :-)
TamM E
At 3:49pm on September 5, 2008, Luiz Santos Music said…
Welcome Armen,
Thanks for joining.
I wish you great success!
Peace,
Luiz
At 4:48am on September 5, 2008, Armen Boyajian said…
thanks Tamm, glad to be a part. Hey folks, if you're in the Charlotte area on Sept 18, Air Apparent will be bringing some swingin' jazz violin to the Village Tavern from 7:00-10:00 pm. See www.airapparentjazz.com for more!
At 12:32am on September 5, 2008, THE GLOBAL JAZZ NETWORK said…
Hello Armen, Welcome! to TGJN
We are happy to have you join our family of great Jazz minds and appreciators. Please contribute in the ways you can and by all means tell all of your Jazz lovin' and playin' friends to join our 24/7 365 JAM as we are a destination for those who want to connect and discuss this magical idiom called Jazz.

Expanding the
Global Jazz Vision
Tamm E Hunt
founder/publisher
TGJN Delete Comment
 
 

The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better.~~~~ ~~~~~~~~~~~~~~~~~~~~~Billy Taylor


Dear Tamm E:

Just a note to tell you that it is nice to read about you!!!

You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!

Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.

Just played for Paquito's honoring and received gold medal

John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music

and Roberta Gamborini, who was excellent.

wish you had been there!

Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.

As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!

And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).

As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).

The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"

Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!

The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.

And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!

This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.

Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.

The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!

The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.

Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..

Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .

Now i am back at home hiding out composing and writing!

I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.

And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.

And performing whenever possible with my three kids, each of whom have their own bands.

So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.

Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.

And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!

You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!

The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.

In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.

It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.

During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.

And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!

And playing it really well!

That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.

It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.

I send cheers from that endless road and wish you joy and energy for all you do

David

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie


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