THE GLOBAL JAZZ NETWORK

a worldwide movement @the destination where great Jazz minds meet

Alexander Shulgin
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  • Russian Federation
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What is your profession?
Musician, Songwriter, Composer
What Instrument Do you Play?
Composer
Where Are you located?
Moscow
How did you find out about TGJN?
MusicDish Network
About Me:
Alexander Shulgin (www.shulgin.com) is a leading executive in the new Russian music industry, having worked with such iconic artists as Valeria, Mumiy Troll, Dima Malikov, Gruppa.fm and many others. Mr. Shulgin owns and operates Familia Entertainment, a record label, and Familia Publishing, a publishing company. His catalogue includes not only top-10 songs but also a diverse array of rare releases, including hundreds of the best-known Russian gypsy songs, Songs of Siberian Exile and Best Songs of WWI, all of which are part of a Russia's unique musical heritage.
Website:
http://alexandershulgin.musicdish.net

Alexander Shulgin's Blog

Alexander Shulgin

Gary Husband in 'Triptych, Part 2: Alexander Shulgin's Songbook'



This is a behind-the-scenes look at the making of part two of Alexander Shulgin's Songbook, Triptych. Producer Richard Niles and multi-instrumentalist Gary Husband discuss what it was like creating part two of Alexander Shulgin's instrumental album.


"Atmosphere is a key word for me in my musical endeavor, whether it's in the pop, jazz, classical or fusion

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Posted on May 25, 2009 at 3:50pm —

Alexander Shulgin

Alexander Shulgin's "Triptych" Leverages NING Platform


In anticipation of the digital release of jazz compilation "Triptych. Shulgin's Songbook" by The Orchard, MusicDish Network announced the launch of Alexander Shulgin pages on several jazz social media sites on the NING platform. The profiles feature tracks from all three of the compilation's albums as well as videos, updates on Shu

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Posted on May 7, 2009 at 3:11pm —

Alexander Shulgin

A Twist of Smooth Jazz: Alexander Shulgin's My Moscow MP3


Song: My Moscow (Moya Moskva)
Composer: Alexander Shulgin
Performers: Paul Drew, Steve King, Simon Rushby, Jon Howells, Chris "Beebe" Aldridge
Album: Triptych. Shulgin's Songbook, Part 1


Downl

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Posted on April 20, 2009 at 10:00am —

Alexander Shulgin

Alexander Shulgin - Triptych, Part II; ft. Gary Husband & Martin Taylor

By Will J.B. Cohn, MusicDish e-Journal


Considering that people these days have an insatiable desire to be entertained at all times (part of the ADD generation that kids are growing up in), it's hard to believe that a minimalist album will hold a listeners attention for

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Posted on April 8, 2009 at 11:02am —

Comment Wall (2 comments)

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At 6:54pm on April 4, 2009, Luiz Santos Music said…
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Welcome
Thank you for joining the Global Jazz Network!
And check out my New SPRING Album!
Peace, Luiz
Luiz%20Santos%20MusicQuantcast
At 11:26pm on April 1, 2009, THE GLOBAL JAZZ NETWORK said…
Welcome! to TGJN
Have FUN! & CONNECT and let the world
know all about you and your creativity.
Please let all of your Jazz lovin' friends
know about the movement @ the destination
where great Jazz minds meet.

Expanding the Global Jazz
Vision

Tamm E Hunt
founder/publisher
TGJN
 
 

The thing that is making jazz healthy today is that people are coming out of other backgrounds - from rock, folk, from ethnic music. It's changing the music, and for the better. Billy Taylor


Dear Tamm E:

Just a note to tell you that it is nice to read about you!!!

You share so much great info about others and about the music, but nice to know that you are WAILIN' yourself and getting appreciation!!

Global Jazz Network is a really important way for all of us to keep hooked up and informed and to SLOWLY BUT SURELY SPREAD THE MESSAGE AND THE PHILOSOPHY of what Jazz is in its many different forms and what the styles are/is all about.

Just played for Paquito's honoring and received gold medal

John Faddis, save Brubeck, James moody and a bunch of KILLER YOUNG players and we all played and spoke about Paquito and jazz and all fine music

and Roberta Gamborini, who was excellent.

wish you had been there!

Through you, Donald Harrison hooked me up with Pittsburgh Jazz info and I feel like i am living there just reading about all the great happenings.

As Fall is here, I am back to my normal insane schedule, but wanted to write you back BEFORE The STATUTE OF LIMITATIONS goes into effect. I am my own secretary, so I am dedicated but SLOW!

And I can't fire myself as my own secretary or I might get hit with an Age Discrimination Lawsuit (in case I decided to sue myself for clerical incompetence).

As of this moment, a new documentary film is being made about me, to be released a few months after my 80th birthday, which is coming up next year Nov. 17, 2010. (12 months from now).

The film will end with the videoing of the big 80th birthday bash at Symphony Space in NYC and then have snippets of films from the past, with all kinds of fun stuff from the 50's thru today.
It will be called "David Amram: The First 80 Years"

Fortunately, I don't have to edit the hundreds of hours of footage or do new music the score, since the film maker, Larry Kraman is also the founder of Newport Classics recordings and knows all my symphonic as well as operatic, theater, film and jazz and world music work, so I am in good hands!!

The same people at Newport Classics Recordings are also making a Spoken Word series for I-Tunes, with me reading from my three books Vibrations, Offbeat: Collaborating with Kerouac and Upbeat: Nine Lives of a Musical Cat.

And they are also recording some of my chamber music compositions and a new jazz record,
Next Spring my opera "12th Night", with libretto by Joe Papp (all words of Shakespeare), is having its eighth production and being FILMED!! Even most dead composers aren't that lucky!!!

This last five weeks I have appeared all over the country at concerts of my music, conducting and playing, doing spoken word with music, jazz, folk and world music festivals, film festivals and readings from my books.

Just the first week of October, I played Lowell Celebrates Kerouac festival in Lowell Mass, then the at midnight , following my last concert there , drove all night to Lagaurda Airport to catch the early Sunday mornng flight for the annual Farm Aid Concert in St Louis, where i played with Willie Nelson's band. The next morning (Monday the 5th , I flew bck to NYC in tme for my monthly concert at Cornelia Street in Greenwich Village.

The next night (Tuesday the 6th) the memorial at Symphony Space for Frank Mccourt, and the next day Wednesday the 7th) the celebration of the new authorized biography of Thelonious Monk with members of his family and musicians I have known since I first arrived in NYC in 1955!!

The 11th i flew off to Abu Dhabi in the United Arab Emirates,( i got at least get a few hours sleep) and tried to catch up on over 200 e-mails during the 13 hour flight, before arriving there and performing a concert of global music in conjunction with the score I composed for Teri McLuhan's new documentary feature film The Frontier Ghandi.

Then back in the USA in time to do programs centered around a performance of my Saxophone concerto Ode to Lord Buckley, in Loudoun Virginia ..

Then I went off to Toronto Nov 1st for a concert and appearance at the Diaspora Film Festival .

Now i am back at home hiding out composing and writing!

I am starting my fourth book "David Amram: The First 80 Years", (the same name as the new doc film being made about me), which will be finished at the end of next year and will end, like the film, with the monstro birthday bash concert for my Big 80... 12 months from now....(Nov 17 2010) in New York.

And every day, still finding time to continue composing a new orchestral work, having been doing it while on the run, and now every minute when I can hide out at the Farm in between travels.

And performing whenever possible with my three kids, each of whom have their own bands.

So as the BIG 80 approaches twelve months from now, (2010) while I may be still shy, I am not yet the retiring type.

Most of my ever-changing my schedule info. when i can get my elderly secretary (unfortunately myself) to type it up, is posted on my web page www.davidamram.com under Upcoming Events.

And my e-mail amramdavid@aol.com is always the best way to reach me as I carry my laptop with me everywhere, and Facebook, MySpace, etc., is hard to deal with and not always reliable!

You might find it fun to access an old performance of my 1971 Rondo a la Turca on the Internet for FREE!!!

The person who is conducting the Chicago Symphony and playing the middle eastern flute (who looks like my grandson) is actually a much younger looking me in 1977, recording for a PBS network TV show about my music. Pepper Adams and Jerry Dodgion are also playing.

In 1977, most of members of the Chicago Symphony who appear on the recording of this performance had never heard, much less ever played, very much music from the Middle East, and since I write everything out on paper accurately to indicate the way it should be played, that's what they were playing, and they actually began to sound like the Radio Beirut Orchestra, and suddenly as the piece went on, they started feeling something different than they had ever felt before, as they played.

It is really fun to watch their faces as they started getting ingo the old time magical groove that Middle eastern music creates and takes you into.

During the first few minutes of the piece, you can see the musicians all playing up a storm but looking as if they were thinking that I was an alien from another planet in outer space, and had brought some extra terrestrial music with me for them to play.

And then as the piece progresses, you can see, as well as hear, that by the end of the piece, the idiom of this music got them excited enough to be actually enjoying playing it!!

And playing it really well!

That's what music, like film, novels, poetry, painting, dance, language and good HOME COOKING does for all of us.

It takes you to that place from where it comes, and makes you feel that you now have a new home in a new part of the world.

I send cheers from that endless road and wish you joy and energy for all you do

David

Hi Tamm E!

I was just saying that you knocked this out of the park with TGJN. We have needed something like this for so long and I am telling my friends about this. I said that it is sort of like a myspace for jazz but it is actually so much more. This is real. The people here truly love jazz and we know people like that are not your average people.

I have felt for a long time that straight-ahead jazz has been slipping away from us. I have hope now that there will be a resurgence (or shall I say an insurgency:-) to bring this baby back full force!

You just knocked it out of the park. Thanks again.

xoxo,
Janie

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'Monk': A New Look At An American Original

Robin D.G. Kelley's new book, Thelonious Monk: The Life and Times of an American Original, focuses on the career of the eccentric jazz pianist and composer. It reveals new details about Monk's life, music and mental health problems, and provides a glimpse into the New York jazz scene of the mid-twentieth century.

Schubert's Desolate 'Winter Journey'

The song cycle Winterreise stands among the masterpieces in the art of song. Schubert conjures up harmonic twists and melodic turns, conveying emotions with remarkable simplicity and force.

Living Colour: Keeping The Music Alive

One of the most recognizable guitar riffs in America belongs to Living Colour. The band's 1988 hit, "Cult of Personality," won the group Grammy Awards and fame. In the past two decades, that fame faded, but Living Colour is back — and members say they've gained wisdom.

Tales Of The Tape: Introducing The Jazz Loft

In 1957, a celebrated photographer moved into a building known as a hangout for New York City's top jazz musicians. W. Eugene Smith began to obsessively tape-record and photograph everything he saw and heard, from his cats to the cats holding forth in late-night jam sessions.

The Sound Of Bottles And Bicycles

Patrick Watson and his band The Wooden Arms defy easy categorization. The group from Montreal takes inspiration from contemporary indie rock, cartoon music from the 1940s and impressionist composers. Depending on the song, you'll hear pots and pans or bottles and barrels.

Bess Lomax Hawes, Musical Folklorist, Dies

She was part of a folk dynasty that included father John Lomax and brother Alan Lomax. But not only was she a musician and teacher: Her tenure at the National Endowment for the Arts helped to increase federal funding for traditional music across the U.S.

The Cheerful Side Of Edith Piaf

Edith Piaf is usually thought of as a gifted, tragic figure: a great voice and spirit who sang through lost loves, loneliness, drink and depression. But actress and singer Gay Marshall takes a different approach to Piaf, seeing a joyful, mischievous side to France's "Little Sparrow." Host Scott Simon speaks with Marshall, who just finished a one-woman Piaf show and has a new release, Gay Marshall Sings Piaf, La Vie L'amour.

Life Happens, But All-Girl Band Betty Keeps Rocking

Host Scott Simon once described Betty as the Marx Brothers and the Andrews Sisters having three daughters who form a rock band. Simon catches up with Amy and Elizabeth Ziff and Alison Palmer, who have a new CD called Bright and Dark. It was recorded while singer and guitarist Elizabeth was undergoing chemotherapy for breast cancer.

The Jazz Loft Project: Sights And Sounds

In 1957, photographer W. Eugene Smith moved into a lower Manhattan loft which served as a late-night hangout for jazz musicians. He proceeded to make approximately 4,000 hours of reel-to-reel tape recordings, and take nearly 40,000 photos, in and around his apartment.

Eugene Hütz, Gogol Bordello's Gypsy-Punk Hero

Gogol Bordello has been making supercharged music since first forming in 1999, six years after frontman Eugene Hütz landed in the U.S., having fled the Chernobyl disaster in his native Ukraine. The band's philosophy: to "make the contradictions of life sound harmonious" with a head-spinning mix of ska, punk, metal, rap, flamenco, roots reggae, dub and more.

The Decade In Music: How Musicians Create

How has technology changed the relationship between musicians and their fans? While major record labels still struggle to grasp the power of the MP3, artists, including Of Montreal's Kevin Barnes, have embraced and even found creative solutions around file-sharing.

'Pops': Louis Armstrong, In His Own Words

Jazz icon Louis Armstrong didn't just leave behind a treasure trove of musical recordings; he also documented hundreds of his private conversations on tape. Those recordings served as the basis for Terry Teachout's new biography of the legendary musician, Pops: A Life of Louis Armstrong.

The Decade In Music: The Way We Listen Now

For the past 10 years, the record industry has struggled to control how we listen to music. But the shift from CD to MP3 is just the latest iteration in the evolution of formats. The MP3 file has yanked music free from physical formats entirely, and the number of ways fans can experience music has exploded.

Songs Of Survival And Reflection: 'At The Cut'

Vic Chesnutt was paralyzed from the waist down at the age of 18, but he's still a massively productive songwriter. Chesnutt has fifteen albums under his belt and his songs have been covered by Madonna, Smashing Pumpkins, and R.E.M. His new album, At The Cut, is a collaboration with Guy Picciotto of the band Fugazi.

Bartok's Best 'Concerto For Orchestra'

After all these years, conductor Fritz Reiner's 1955 recording of Bartok's music remains the best. He understood the poignant, brooding, mysterious and exuberant moods it explores, and the Chicago Symphony Orchestra plays as if it has been set on fire.
 

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